Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

“Thanks. I have some.” He patted his pants pocket. “I always keep ‘em on hand when there’s a love scene to do,” he said, raising his eyebrows and grinning. He got up from the chair and stretched. Waves of muscles rippled down his back. I staggered back.

“By the way Jackie, I have my own trailer now. If you care to drop by, it’s the really big one, right next to yours.”

DISSOLVE TO:

INT. HOSPITAL ICU

EVENING

DAY 46

It is hollow and cold behind the waterfall. Wavy shapes slide past, whispering. A plastic and steel wet nurse pumps life into my lungs. I am drowning in air; compressed and earthbound. I long to go back to heaven or wherever the hell that was. My body feels bound, mummified as if I’m buried in sand, struggling to break loose before the tide comes in to claim me.

A figure looms up and passes his hand over the ventilator as if casting a spell. “Jackie!” Brett calls but the sound is muffled. He twists and hurls his body out of the room.

Daddy bursts into my cubicle and pushes past the waterfall. I want to warn him about the slippery rocks, but I am too late. He collapses. Nurses rush in but Daddy pushes them back with one arm while fumbling to pull the sheets from my body. The nurses guide, push, pull him away from my bed. The tide washes over me. I am floating down at the ocean’s base. Above, my father swims past a shimmering kelp bed of helping hands and out the door.

A hot Santa Ana blows the door open bringing Anna in a pink warm-up suit with an alligator emblem. A nurse stands guard at each padded shoulder for support. Her body looks compressed as if the space between her bones and organs has been sucked out.

Anna motions the nurses to leave her. She comes to my bedside and bends over, arms extending like the branches of a desert willow. My body cools in her shade. From somewhere a bell sounds, and nurses scurry down the hall. Anna loosens my sheets, reaches under, and presses something cold into my palm. Her gold cross floods my senses, and I am looking up into those dark eyes, safe again, lying on her unmade bed in the little room over the garage. With everything in me, I will my hand to squeeze hers, to let her see I am receiving this gift, this proof of that precious time we shared. Anna entwines the chain around my fingers so that the necklace will not fall away.

“No te vayas, Jackie. Don’t leave us.” She kisses my forehead. “Quedarse, okay? Stick around.”

PARAMOUNT STUDIOS

INT. SPACESHIP - DAY AND NIGHT

1995