Chapters (79)
- EXT. BALCONY - MALIBU SHORES INN
- MAIN TITLES
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- MALIBU COLONY HOME
- COLONY COFFEE SHOP
- INT. MALIBU COLONY HOME
- INT. BANQUET HALL
- INT. MALIBU COLONY HOUSE,
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- EXT. MALIBU COLONY BEACH
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. DEPARTMENT STORE, BEVERLY HILLS
- INT. MALIBU COLONY HOME
- INT. BEVERLY HILLS HOME
- INT. BEVERLY HILLS HOTEL
- INT. HOSPITAL ROOM
- INT. BEL AIR MANSION
- EXT. BEVERLY HIGH
- INT. BELAIR MANSION
- LIHUE, HAWAII AIRPORT
- INT. HOSPITAL ROOM
- INT. PEYSER AGENCY
- EXT. FRANKLIN APTS
- INT. SUNSET GOWER STUDIOS
- INT. HOSPITAL ROOM
- INT. SUNSET GOWER STUDIO
- INT. HUGO’S RESTAURANT
- INT. SUNSET GOWER STUDIO
- INT. WINNEBAGO
- INT. BEVERLY HILLS MANSION
- INT. HOSPITAL ROOM
- EXT. THE GATES OF HEAVEN
- EXT. PARAMOUNT STUDIOS
- INT. HOSPITAL ICU
- PARAMOUNT STUDIOS
- CLOSE UP: BRETT HANEY’S FACE
- INT. ICU
- INT. SPAGO RESTAURANT
- INT. JACKIE AND BRETT’S HOUSE
- INT. JACKIE AND BRETT’S KITCHEN
- INT ICU
- INT. HOSPITAL ROOM
- INT. JACKIE AND BRETT’S HOUSE
- INT. JACKIE AND BRETT’S KITCHEN
- INT. JACKIE AND BRETT’S HOUSE
- CLOSE UP: JACKIE’S HAND HOLDING A LETTER
- INT. MEDICAL OFFICE
- INT: HOSPITAL ROOM
- INT. SPAGO RESTAURANT
- UNIVERSAL STUDIOS
- INT. HOSPITAL ROOM
- EXT. DOROTHY CHANDLER PAVILION
- INT. HOSPITAL ROOM
- INT. DOROTHY CHANDLER PAVILION
- INT. HOSPITAL ROOM
- INT. BEL AIR MANSION
- INT. HOSPITAL ROOM
- INT. JACKIE AND BRETT’S HOUSE
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- INT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- INT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- EXT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- FADE IN:
- ABOUT THE AUTHOR
- ACKNOWLEDGEMENTS
Merilee sighed. “Okay, give Mrs. Sanderson another message then. Tell her Mrs. Goldstein says let me know if you need any help with that charity deal she was talking about last Wednesday night. And tell her I’m home. All goddamn day!”
Merilee reached for her empty wine glass and shook the last drops into her mouth. Then, hit with a wave of nausea stronger than she’d had for weeks, rushed over to the kitchen sink, and threw up.
As she moved into her third trimester, my mother sank deeper into herself. She especially resented the weight piling onto her body; her one dependable asset and the only one she held in her own name. After a breakfast of Pop-Tarts and a Pepsi, she would throw a T-shirt over her bikini and escape to the beach walking the shore, pushing through water calf-deep, her shapely legs vouching for the rest of her.
While I rocked along safe and warm in the sweet water of my cocoon, she strode through the soft current, bending occasionally to pick up a shell or piece of tumbled glass and throwing it back to sea.
After countless humiliations, she’d given up trying to belong in Sidney’s world. Now, when accompanying my father to charity balls or functions, she packed a fashion magazine in her purse. The moment Sidney was caught up in conversation, she’d retreat to the car and flip through the pages by the glove compartment light until it was time to go home.
DISSOLVE TO:
INT. HOSPITAL ROOM
DAWN
DAY 16
Pierre, the night nurse, is rummaging through my things. There isn’t much to look at. A framed picture of Brett inscribed to me, a Bible left by Anna, a boom box, and an Enya CD with a Post-it Note reading “Thought she might enjoy this!” from good ol’ Nurse Dani.
With his rich dark skin, contrasting blond, curly hair and green eyes, I imagine Pierre is often quizzed on his ethnicity. From his name, I’m guessing Haitian, but he could be Jamaican or even Cajun. A fair amount of his time has clearly been spent at the gym; his thick, muscled arms pop out where the end of his sleeves. After changing my urine bag, he fiddles with Brett’s photo, tapping his finger along the frame, perhaps debating whether to take it. It would be worth a lot of money.
The door pushes open. Pierre jerks back and makes like he’s straightening the picture.
“Whoa, hey there, Flo. You’re early. It’s not even light yet.”
“Buses are running funny, don’t want to be late.” Flo, a stout African American woman enters with a square, black pocketbook squeezed under one arm. She leans over me, her breathing labored. Perspiration shines on her forehead and the fuzzy black hairs of her upper lip.
“You mean because of the ‘special assignment.’”