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Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

I ran outside. The sun burned behind the clouds, heat shimmered off the asphalt creating a liquid mirage. I squinted into the haze, but no one was on the road. I was afraid I would miss the police if I ran to the neighbors. So I waited, shaking and breathless. For the first time in my life, I prayed. I didn’t know what to pray to, so I searched in my head and came up with the 3-D picture of baby Jesus that hung on Anna’s bathroom wall.

“Please, God or Jesus, please make Anna okay, please. I’ll do anything you ask, I’ll be good, just please don’t take Anna from me.” I got on my knees and clasped my hands together. It felt good. Right. Like Hayley Mills in The Trouble with Angels.

My prayers became more confident. “Jesus and God, if you save Anna, I’ll go to church. Maybe I’ll even become a nun, yes, I will become a nun, just please make Anna, okay?”

Sirens!

I jumped up and began waving. A police car raced toward me, sailed over the speed bumps, then screeched to a halt.

“This-a-way!” I yelled. Tall Roy and Little Hervé flew out of the car. I recognized them immediately from the time I’d questioned them about my mother.

I led them inside, shushing them with a finger on my lips. Motioning them into the living room, I pointed upstairs in the direction of the bedroom. Now the house was deathly quiet, except for the sound of the shore breakers; those harmless-seeming waves that smash you down and rough you up as you scrape the sandy bottom.

The policemen mounted the stairs carefully, guns drawn. I couldn’t believe this was happening in my home. I couldn’t believe that kidnappers or murderers had been able to get past Mr. Jackson and the gates of Malibu Colony Road.

The tall cop eased his way down the hall until he was flattened against one side of the bedroom door. Hervé took a crouched position at the top of the stairs. I watched from behind a yellow cube in the living room, holding my breath. Then, without warning, Roy kicked open the door. Anna screamed again.

“Police! Put your hands up,” Roy shouted. The cops disappeared inside the room. I gripped the upholstery to keep from fainting.

“Are you fucking crazy?”

My father emerged from the bedroom, pulling a black silk robe around him. Behind him, Anna followed, wrapped to her armpits in Laura Ashley.

“Sid, sir, Mr. Goldstein, we’re sorry. We got a call.”

Roy kept his face down—his shoulders were slumped. The gun was back in its holster and dangled loosely as if it too were hanging its head.

“For Chris’sake, who called you?” my father said, descending the stairs.

“The kid,” Hervé yelped.

“A kid?” my father said.