Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

They shoot, storming through the suite and onto our third-floor balcony, framing us in proposal position, climbing over each other to get a better angle.

“Jackie! Dollface! Look over here!”

I scream, “Brett!”

Brett is frozen, still on bended knee.

“Get up!” I yell again. “Let’s get out of here!”

The sound of the helicopter grows louder.

“Brett!”

His eyes widen, then he blinks, shakes his head, gets on all fours, scurries under the room service table, and covers his face with the jelly-stained tablecloth, sending bits of croissant tumbling down through the iron railings of the balcony. A seagull swings past in time to pluck a fat buttered crumb out of the air.

I will him to come, to carry me through the crowd the way he did in Space Warriors. But he’s cached behind a hedge of legs and equipment.

Searching for escape, I look to the door and see Nicole battling through the crowd. Nicole, my angel. How did she know I would need her?

“Over here,” I cry, but the crashing waves and whirring helicopter blades swallow my voice. I wave my arms hoping she’ll see me. The rat-a-tat of a dozen cameras explodes around me capturing my gesture. Nicole swivels this way and that, lost in the melee. Behind her, more paparazzi push forward, cameras cocked.

Brett, now on his belly, crawls stealthily beneath the hordes—a move he learned for the Vietnam sequence in Month of Heroes.

His goddamn publicist must’ve ratted us out.

“Brett, wait!” I try to follow, but the troops surge, swallowing the gap between us and slamming me against the balustrade.

Arms and legs wedge against me; an elbow rams my breast as a fat man struggles to untangle the cameras choking his neck. I squirm away and pull myself onto a sturdy, cast iron chair from where I see the full picture: Panavision. Cameras and sound equipment, photographers shoving. They shoot blindly, our blood scent in their snouts. On my left, the pixie-blonde from Entertainment Tonight, on my right the toupee-guy from Variety. Towering over all is the Australian from the Enquirer in his trademark tan suit.

Another helicopter appears on the horizon.

“Hey, Jackie!”

“Jackie Gold! Hey, is that you?”

“Where’s Brett, Jackie?”

Down on the patio, hotel guests are shouting and pointing.

“Jaks!” Nicole sees me now. I wave.

“We want Brett! We want Brett!”

“Nicole help!”

She battles toward me, knocking the pixie-blonde out of the way but gets blocked behind the ET crew.