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Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

The room was spare: a single bed, wooden nightstand, and dresser. She had decorated the walls with colorful pictures of Jesus, Mary, and various saints. My favorites shimmered in 3-D, shifting as I walked slowly around them, stepping back and forth to make Jesus’ eyes open and shut. At six years old, I already harbored guilt for liking the Jesus pictures, one, because according to my father they weren’t “artistic,” and two, because even though we weren’t religious, Daddy had told me that “Jews don’t believe in Jesus.” But most of all, I felt guilty because from the very start, I loved Anna more than I loved either of my parents.

Image

I came home from kindergarten one day, surprised to find Anna in my mother’s room, sitting on the red velvet pouf in front of the art deco reproduction vanity, my mother crouched over her.

“What are you doing?” I asked.

“Hold still,” my mother commanded as Anna turned to look at me. Her hair had been combed loose and swept to one side, spilling shiny and black over her shoulder. Her lips were red, full, and pouty. Her eyes were outlined in black and tilted up at the ends, framed by thick, long, black lashes. Her cheekbones had been sharply accented with blush.

“Look, Jacqueline!” my mother exclaimed. “Isn’t Anna pretty?”

I nodded, awed by the sight of her. She was more beautiful than anybody I had ever seen, a Spanish princess in a fairy tale.

Anna, embarrassed by our attention, shook her head and got up, wiping the pouf as if she had left a dirty mark by sitting there. “Thank you, okay, Missus Merilee. I go fix dinner.” She bowed her head and walked quickly out of the room. Automatically I turned to follow, but my mother grabbed my hand.

“Would you like a makeover, Jacqueline?”

She took a zebra-patterned pillow from her floral bed, put it on the red pouf, and motioned for me to climb aboard. Warily I sat in front of the makeup table. She turned me toward her then took a puffy paintbrush and softly caressed my cheeks, releasing particles of powder that floated up in the air, catching the light. She took one of her lipsticks and dabbed it on my lips, then swept something feathery above my eyes. Excitement bubbled within me. Now I would look just like Anna—Anna with swirls of black hair and cheeks dark and rosy like the cherry wood of a Spanish guitar.