Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

“Couldn’t be better. Want some coffee?”

“Maybe later. I’m going to go back to bed.” She started back down the hall, her floppy socks mopping the floor as she walked.

Image

“I can’t ask her to leave now,” I insisted, a month later. Brett and I were having another one of our squabbles. Frankly, I found our fights refreshing; something to talk about other than Brett’s latest film project. Feigning interest while my boyfriend went over each facet of his character was like trying to enjoy someone else’s high school reunion. Anyway, Nicole was my project, and I was determined to do my best work.

And she did seem to be getting better. Maybe it was the spring weather or because she’d been seeing Dr. Wexler twice a week, but she had begun rising earlier and spending less time alone in her room. It was I who was changing the most. No longer obsessed with Brett's whereabouts, I begged off accompanying him to premieres or parties, preferring to stay home with Nicole.

“Take your publicist,” I would suggest to Brett when the invitations came.

“I can’t take a guy to a premiere, Jackie.”

“Take Penny or one of the assistants. They would die to go with you.”

Spring lapsed into summer. Brett started Patches and Pistols, another Western which took him on location to Texas, conveniently pushing the issue of Nicole’s living arrangements to the back burner.

The shoot was difficult. Six days a week, Brett filmed most of his scenes on horseback out where I presumed the deer and the antelope played. We spoke by phone every few days.

“Sorry I didn’t call last night, babe,” Brett said. “I’ve been busier than a blind man at a strip show.”

“You’ve been what?”

He’d fallen back into the jargon of his Texan childhood. Or maybe it was the character he was working on.

“Today was hotter than a goat’s butt in a patch of peppers.” Brett let out a few grunts.

“What are you doing?”

“Pulling off my boots, they’re tighter than a—”

“So, hey,” I interrupted. “When are you finishing this turkey?”

The shoot had been extended twice due to dust storms.

“Looks like another week at least. Hey! Why don’t you stay for a week with my mom in Dime Box? The two of you can get to know each other better and my sisters’ll bring their kids around. You’ll have company.”

The (no star) Giddings Hotel where Brett was staying happened to be only fifteen bumpy miles from Dime Box (pop. 1024) where he’d been raised.

“No thanks, I have company.”

“Heavens to Betsy, is she still there? You said—”

“Just a while longer. Hey, have I bugged you once about being away?”

The phone beeped signaling a call waiting.

“Can you hold on?”

“Go ahead and take the call. Mom and Sissy are bringin’ vittles. Love you, puddin’.”