Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

Scotty was taking way too long. Probably flirting with the cappuccino guy. He was a sucker for men in food service. Unfortunately, the Adonises he sought were seeking other Adonises and not bespectacled, concave-chested, fanboys like my Scotty.

Janice cocked her head sideways and pushed on her earpiece. “Yeah, I’ve got her right here?” Janis reported in a quavering voice. “She says she’s waiting for coffee?”

“Uh, Janis, has Brett Haney made an appearance?” I had yet to meet this “up and comer” who’d been cast at the last minute when, to everyone’s disappointment, Bruce Willis dropped out.

“I-I think he’s getting ready for his makeup test? Third trailer down?”

It was my first big studio film, a sixty-million-dollar futuristic action-adventure movie about space warriors who fall in love while battling for Earth’s survival. I was so nervous I’d taken a Valium before even getting out of bed. I wasn’t worried about the acting; my dialogue was limited to phrases like, “Hurry! Inside the pod transporter!” But Penny said the studio had “concerns.” First, I was too short. Second, I didn’t have enough “star power” to carry the picture now that Willis was out. Three, that I had a reputation for being “difficult”—a deadly label for an actress, especially a difficult one.

I’d shot six films in the three years since Circle of Life and had affairs in cities from Stockton to Stockholm, but none lasted. And while I managed to stay relatively sober when filming, I leaped off the wagon between jobs. On my last publicity junket, I had stolen the keys to my limousine and hit a parked motorcycle. That was in Portland. In Denver, I missed my morning TV appearance, having awoken in a hotel suite blocks from my own. I was well behaved in Dallas, but Tampa saw me ejected from two bars before the police escorted me to my hotel.

Penny had warned me to clean up my act. The director, Vilmar Boyson, was a consummate professional, and my co-star, this Brett Haney fella, was some down-home type who didn’t smoke or drink or pepper his conversations with words like “cocksucker.” I had promised Penny that as of today, I would turn over a new leaf.

Scotty came rushing over with my cappuccino, his short legs stuffed into tight chinos flooding above loafers.

“About fucking time,” I growled. “Where are your socks?” I demanded sounding exactly like my father. “And where’s my Sweet’N Low?”

“I put it in already,” he said patiently as if I were a badly behaved child in need of a nap. “Y’know,” he whispered, “if you’re trying to change your reputation, you’re not getting off to a great start.”

That was the problem with assistants, they were always around when you felt like confiding things.