Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

The Beatles travel to London to meet with George Martin—and are stunned when the producer tells them, “I’m thinking we should make an album.”

And not just any album. An album featuring their songs.

The concept of singer-songwriters is still almost unheard of among their contemporaries, but John and Paul grab the chance with both hands.

The question is, How will they determine credit? Anyone who gets credit will receive an additional—and with any luck, lucrative—future stream of income.

Paul asks, “Without wanting to be too mean to George, should three of us write or would it be better to keep it simple?”

John and Paul decide to keep it to the two of them and agree that they’ll be a songwriting duo called “Lennon and McCartney.” In a meeting with Brian, they lay out a plan. “Okay, what we’ll do is we’ll alternate it: Lennon and McCartney, McCartney and Lennon,” based on contribution. But it’s never put in writing, and the original credit order sticks. “I didn’t mind,” Paul claims. “It’s a good logo, like Rodgers and Hammerstein. Hammerstein and Rodgers doesn’t work.”

Soon thereafter, George notices a shift in the band. “An attitude came over John and Paul of ‘We’re the grooves and you two just watch it,’” he’ll say later.

On Monday, November 26, the Beatles head back into Studio Two to record “Please Please Me” and the B side, “Ask Me Why.”

This time, there’s no drama. Buoyed by the success of “Love Me Do,” John and the boys feel relaxed. They have fun, and the chemistry they have onstage is with them in the studio.

“The thing I like about the Beatles is their great sense of humor—and their talent, naturally,” George Martin tells journalist Alan Smith. “It’s a real pleasure to work with them because they don’t take themselves too seriously. They’ve got ability, but if they make mistakes they can joke about it. I think they’ll go a long way in show business.”

The Beatles record both singles in the allotted three-hour time frame, and the producer watches from the control room. As they wrap up, he presses the Talkback key, and his posh voice comes into the studio: “Gentlemen, you’ve just made your first number one record.”

Chapter 18

Chapter 18

I should have known better…

—“I Should Have Known Better”

The Beatles tour constantly throughout 1963. In January—as George Martin had rightly predicted—“Please Please Me” scores them the first of what will be twelve consecutive number-one songs.

On a single day in February, they record ten more songs to fill out their first studio LP, Please Please Me. The tunes are a mix of Lennon-McCartney originals and covers of their favorite American R&B songs, including “Twist and Shout,” a hit the previous year by the Isley Brothers (later inducted into the Rock ’n’ Roll Hall of Fame by Beatles admirer Little Richard).