Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

Taylor turns north on Central Park West. After around twenty yards, Mark sees the man look over his shoulder. Mark stands alone across the street from the Dakota, muttering to himself, when their eyes lock.

Taylor looks away and picks up his pace.

“A creepy, sweaty guy recognized me and got in my face,” Taylor will later recall. “He was talking fast, telling me about himself—that he was working on a project with John Lennon. I had spent nine months in a psychiatric hospital, and it seemed to me that he was mentally ill.”

Chapter 36

Chapter 36

I don’t need to fight to prove I’m right.

—“Baba O’Riley”

In US folklore, nothing has been more romanticized than guns and the larger-than-life men who wielded them,” states Time magazine in its June 21, 1968, cover story titled “The Gun in America.”

During the last week of September, the Beatles continue to record songs for their double album. Like the majority of the thirty songs on the White Album, “Happiness Is a Warm Gun” originated when John began writing it at the ashram in Rishikesh. He envisions its multiple distinct phases as “sort of a history of rock and roll.”

When George Martin hands John a visual, the fragments become an ingenious whole. “A gun magazine was sitting around,” John remembers, “and the cover was the picture of a smoking gun. The title of the article, which I never read, was ‘Happiness Is a Warm Gun.’

“I thought, what a fantastic, insane thing to say. A warm gun means you’ve just shot something.”

American gun laws have been static since 1939, but in the wake of the political assassinations of JFK, MLK Jr., and RFK, President Lyndon B. Johnson pushes for reform, sponsoring the Gun Control Act of 1968, which Congress passes into law on October 22.

On November 20, two days before EMI releases the White Album—pressed with Apple labels—Paul is interviewed on Radio Luxembourg, calling the song “a favorite of mine” while dismissing the content that inspired it.

“And it was so sick, you know, the idea of ‘Come and buy your killing weapons,’ and ‘Come and get it.’ But it’s just such a great line, ‘Happiness Is a Warm Gun,’ that John sort of took that and used that as a chorus. And the rest of the words…I think they’re great words, you know. It’s a poem. And he finishes off, ‘Happiness Is a Warm Gun, yes it is.’”

Critics agree. “‘Happiness Is a Warm Gun’ is one of the greatest numbers on the album,” the International Times says, praising the Beatles’ ninth studio album and latest chart topper, the reviewer catching John’s musical intention that “the music has three distinct phases ending with a touch of the ’50s…a snatch from ‘Angel Baby’ by Rosie and the Originals at the end.”