Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
She can show him the right path, but she can’t stop him from going down the wrong one.
Chapter 48
Chapter 48
It’s better to burn out
Than to fade away.
—“My My, Hey Hey (Out of the Blue)”
The trouble begins even before Phil Spector pulls out the gun.
John’s so pleased to be working with the legendary producer of Imagine again—on an oldies album this time—that he cedes total control to Spector, something he’s never done before. He also starts drinking in the recording studio, something he’s never done before, either, but Spector encourages it. Besides, who’s going to stop him? May? Hardly.
The mood in Spector’s LA studio couldn’t be more different from the one at the studio in London. Far from the serious, private affairs John’s used to—where even the presence of wives and girlfriends had been frowned upon—Spector holds open-door sessions at A&M Studios that double as parties, with alcohol and celebrity visitors flowing nonstop. The producer himself shows up in costumes—as a priest or surgeon or karate champion—and wears a gun in a shoulder holster.
“The guys were all drinking—and John was being one of the guys,” May says. “Everyone was as blitzed as he.”
“John was exercising all his bad habits, as were we all, including Phil,” admits drummer Jim Keltner. “The only problem with that was that Phil was the producer, and somebody had to be, you know, sane.”
Spector doesn’t inspire confidence on that front. Privately, John calls him “the Vampire.” May worries about the gun, but John assures her it’s just for show—until the night Spector pulls it out and shoots it into the ceiling.
Fellow producer Mark Hudson recalls, “Spector pulled out a large gun and started chasing John through the hallways. John was trying to laugh it off but it was horrible.”
“Listen, Phil, if you’re gonna kill me, kill me. But don’t fuck with me ears. I need ’em,” John deadpans.
When Spector later disappears with the recordings and can’t be found, it’s almost a relief.
* * *
Another notorious group John falls in with also includes vampires: the Hollywood Vampires.
“The original Hollywood Vampires was a drinking club, a last-man-standing kinda thing,” says the club president, Alice Cooper. “People started calling us the Hollywood Vampires because we’d never see daylight. We figured instead of drinking the blood of the vein, we were drinking the blood of the vine.”