Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
Music journalist Larry Kane, who at age twenty-one is reporting for WFUN Miami, remembers, “They never did sound checks—usually there wasn’t time. And modern musicians will look at the puny sound equipment they had and will be amazed. Some concerts had the music going out on the stadium public address system.”
“No theater ever got it how we liked it,” John says of the setup on the microphones. “They’d either be in the wrong position or not loud enough. They would just set it up as they would for amateur talent night. Perhaps we had a chip about them not taking our music seriously. It drove us mad.”
* * *
The Beatles arrive in Miami, Florida, on February 16. Thirteen-year-old Lynn Henderson, a journalism student at Miami Springs Junior High, is wearing her construction-paper press badge when the band lands at Miami International Airport to a crowd of five thousand. She runs for the limousine, and the police give chase.
John Lennon sees Henderson’s homemade badge and holds off the cops while he, Paul, and Ringo answer her interview questions. Then “John blew me a kiss and the window slid shut and they took off.”
Henderson earns an A in class and so do the Beatles, whom Ed Sullivan introduces as “four of the nicest youngsters we’ve ever had on our stage.”
The Beatles have never seen a palm tree before—or a policeman carrying a gun. But a staged press opportunity is already familiar.
“It was all part of being a Beatle, really,” George says of the scene on February 18 at Miami Beach’s 5th Street Gym, where twenty-two-year-old 1960 Olympic gold medalist boxer Cassius Clay is in training for an upcoming fight against world heavyweight champion Sonny Liston, and the Beatles are “just getting lugged around and thrust into rooms full of press men taking pictures and asking questions.” Clay (later known as Muhammad Ali) “was quite cute” and goofed around with the band for a series of photographs. He delivers a taunt to his rival, the heavily favored thirty-one-year-old Liston, rhyming “When Liston reads about the Beatles visiting me / He’ll get so mad, I’ll knock him out in three!”
But Liston dismisses the gibes, sneering, “Are these motherfuckers what all the people are screaming about? My dog plays drums better than that kid with the big nose.”
Liston is wrong about the Beatles and about his prospects against Clay. On February 25, Cassius Clay dethrones Sonny Liston, and the Beatles are back in the studio (taking a break that evening to celebrate George’s twenty-first birthday), already hard at work recording for their next big project.
The Beatles are going to star in a film.
Chapter 21
Chapter 21
So glad we made it.
—“Gimme Some Lovin’”
The movie shoot is scheduled to take seven weeks. They’re calling it Beatlemania, and the assumption is it’ll be a cheap cookie-cutter teen flick designed to capitalize on the Beatles’ massive success with that audience.