Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

He’s left his Bible open to the Gospel of John—Lennon.

This is who I am, Mark thought as he looked at his room for the final time. This is who I was.

After a walk through Central Park, Mark returns to the Dakota. He opens his copy of The Catcher in the Rye and is looking down into the pages when the doorman calls to him.

“Did you see him?” the man asks. “John Lennon just stepped out of a cab and went inside the building.”

The news doesn’t bother him. The timing, he feels, isn’t right.

A short time later, a little boy appears in the archway of the Dakota.

The boy is Sean Lennon. He’s heading out for a morning walk with his nanny.

Mark approaches the boy and gets down on one knee, feels the gun tucked in his jacket pocket bump against his leg. He slides his hand inside his pocket to make sure the revolver doesn’t fall out.

“I came all the way across the ocean from Hawaii, and I’m honored to meet you,” Mark says, shaking Sean’s tiny hand.

Sean’s brow furrows, confused. He runs his sleeve across his nose.

“You’d better take care of that runny nose,” Mark says. “You wouldn’t want to get sick and miss Christmas.”

Mark looks up at Sean’s governess.

“He’s a beautiful boy,” he tells her. “He’s such a beautiful boy.”

Chapter 52

Chapter 52

A splendid time is guaranteed for all.

—“Being for the Benefit of Mr. Kite!”

Christmas carols have never sounded as sweet as they do this season, when Sean is a newborn. They should, coming from voices beloved worldwide. The singers are Paul and Linda McCartney, who are making a surprise visit to the Dakota to meet the baby.

It has taken a long while for the chilliness between the two old friends to thaw. While Paul has made occasional friendly overtures over the years, John has always held his former bandmate at arm’s length. “You’re all pizza and fairy tales,” John sneered at Paul once when he phoned the Bank Street apartment.

“He’d become sort of Americanized by then, so the best insult I could think of was to say, “Oh, fuck off, Kojak,” and slam the phone down,” Paul recalls. At the same time, though, he mused over the turn of phrase. “‘Pizza and fairy tales’—I almost made that an album title.”

Now John’s friend Elliot Mintz is among the holiday guests mingling and eating take-out pizza in the Dakota, watching the winter sun descend over the Hudson River and “paying close attention to John and Paul and the way they looked at each other.” Mintz says that “during this Christmas sunset, it was obvious to me that the two of them had run out of things to say.”