Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
Dylan is one of the most distinctive folksingers around. In case he’s not sure of himself, John thinks of Dylan’s lyrics, he makes it double entendre. So therefore he is secure in his Hipness.
Brian Epstein has arranged a reception in their suite at the Hotel Delmonico, on Park Avenue, where various American folk groups such as the Kingston Trio and Peter, Paul and Mary—whose 1963 cover of Dylan’s “Blowin’ in the Wind” was a number-two Billboard single—mingle with the Beatles. At one point, the phone rings.
“That was Mr. Aronowitz,” Brian tells John. “He’s here with Mr. Dylan.”
“Zimmerman,” John says. “Zimmerman is his name. My name isn’t John Beatle. It’s John Lennon. Just like that.”
Though Al Aronowitz will later call the introduction “the crowning achievement” of his career, it begins awkwardly, when Dylan’s customary request for “cheap wine” is botched because Brian Epstein has only vintage champagne on hand.
That’s when talk turns to another mind-altering substance.
“I really like that line in ‘I Want to Hold Your Hand,’” Dylan tells them. “‘I get high, I get high.’”
“Actually,” John says, “it’s ‘I can’t hide, I can’t hide.’”
They share a laugh, then Dylan adds, “Here I was, thinking you were singing about smoking pot.”
John and Paul exchange embarrassed glances. “We, ah, haven’t really tried marijuana before,” John says.
Dylan’s road manager, Victor Maymudes, rolls a joint for each Beatle.
“Give it to my royal taster,” John says, pointing to Ringo.
Ringo takes several hits…and can’t stop laughing.
John joins in, then Brian.
As Paul spouts existential philosophy and wanders around hugging people, Ringo and George double over in hysterical laughter, especially when the room phone rings and Dylan answers it with, “This is Beatlemania here.”
“It was such an amazing night,” George later says. “I felt really good. That was a hell of a night.”
“Paul came up to me and hugged me for ten minutes,” Maymudes recalls, “and said, ‘It was so great, and it’s all your fault because I love this pot!’”
“I don’t remember much of what we talked about. We were smoking dope, drinking wine, and generally being rock ’n’ rollers and having a laugh, you know, and surrealism,” John said. “It was party time.”
Chapter 23
Chapter 23
I hope I die before I get old.
—“My Generation”
Paul’s the only one left in London.