Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
After a summer of legwork, the reporter has opened the door to the Dakota with his words. As David Geffen had done during the bidding for the rights to Double Fantasy, Sheff impressed Yoko with a compelling telegram. September 10 is the first day of a conversation that will run three weeks, the interviews to be published in Playboy magazine.
“This will be the reference book!” John predicts.
John’s certainty is warranted, and it underscores security specialist Doug MacDougall’s deepest fear—that John and Yoko will be dangerously revealing of their daily schedule.
“It’s been a long time since we’ve done this kind of thing,” Yoko tells Sheff of his access to the couple. But she’s also, for the first time since the spring of 1975, granted sit-downs with the BBC, Newsweek, and other media outlets.
A parallel concern for MacDougall is the surge in the number of fans who have recently taken to congregating outside the Dakota, clamoring for John’s attention as he travels between the Dakota and the Hit Factory. All MacDougall’s years of FBI experience have failed to prepare the former agent for the complexity of a rock star’s popularity.
Chapter 58
Chapter 58
Fame, what you get is no tomorrow.
—“Fame”
John Lennon wakes up, reaches for his eyeglasses. At first the day seems like any other until he realizes it’s a special one. October 9, 1980, is his fortieth birthday—and Sean’s fifth.
Over morning tea, he indulges in a moment of happy reflection, counting “only two artists I’ve ever worked with for more than a one night’s stand, as it were: Paul McCartney and Yoko Ono.” He takes a little credit, too, joking, “So, I think as a talent scout I’ve done pretty damned well!”
Yoko laughs, and moments later, John’s hearing another of those two familiar voices. He picks up the kitchen phone to greet his old songwriting partner, who’s called to wish him all the best for the record launch.
“I believe the last time I spoke to John was when I was in England and we spoke on the phone,” McCartney says in 2019. “It was a pleasant conversation about mostly domestic matters. We had been experiencing a bread strike in England, so I was into making my own bread. He told me he was also doing the same thing around that time in New York, so we talked bread.”
Five-year-old Sean, whose diet is strictly macrobiotic—sugar-free and dairy-free—doesn’t want baked bread today. He wants birthday cake and ice cream.
And he’ll have his treats, as soon as his parents make a big announcement: in the spring of 1981, “John and Yoko will be touring Japan, USA, and Europe.”
But the family has an earlier flight to catch.