Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

After a summer of legwork, the reporter has opened the door to the Dakota with his words. As David Geffen had done during the bidding for the rights to Double Fantasy, Sheff impressed Yoko with a compelling telegram. September 10 is the first day of a conversation that will run three weeks, the interviews to be published in Playboy magazine.

“This will be the reference book!” John predicts.

John’s certainty is warranted, and it underscores security specialist Doug MacDougall’s deepest fear—that John and Yoko will be dangerously revealing of their daily schedule.

“It’s been a long time since we’ve done this kind of thing,” Yoko tells Sheff of his access to the couple. But she’s also, for the first time since the spring of 1975, granted sit-downs with the BBC, Newsweek, and other media outlets.

A parallel concern for MacDougall is the surge in the number of fans who have recently taken to congregating outside the Dakota, clamoring for John’s attention as he travels between the Dakota and the Hit Factory. All MacDougall’s years of FBI experience have failed to prepare the former agent for the complexity of a rock star’s popularity.

Chapter 58

Chapter 58

Fame, what you get is no tomorrow.

—“Fame”

John Lennon wakes up, reaches for his eyeglasses. At first the day seems like any other until he realizes it’s a special one. October 9, 1980, is his fortieth birthday—and Sean’s fifth.

Over morning tea, he indulges in a moment of happy reflection, counting “only two artists I’ve ever worked with for more than a one night’s stand, as it were: Paul McCartney and Yoko Ono.” He takes a little credit, too, joking, “So, I think as a talent scout I’ve done pretty damned well!”

Yoko laughs, and moments later, John’s hearing another of those two familiar voices. He picks up the kitchen phone to greet his old songwriting partner, who’s called to wish him all the best for the record launch.

“I believe the last time I spoke to John was when I was in England and we spoke on the phone,” McCartney says in 2019. “It was a pleasant conversation about mostly domestic matters. We had been experiencing a bread strike in England, so I was into making my own bread. He told me he was also doing the same thing around that time in New York, so we talked bread.”

Five-year-old Sean, whose diet is strictly macrobiotic—sugar-free and dairy-free—doesn’t want baked bread today. He wants birthday cake and ice cream.

And he’ll have his treats, as soon as his parents make a big announcement: in the spring of 1981, “John and Yoko will be touring Japan, USA, and Europe.”

But the family has an earlier flight to catch.