Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

John Lennon’s killer sits in his tiny cell, sweating and clutching his book.

Palma still cannot comprehend what has happened. Can’t get the image out of his head from back at the hospital—Yoko, after learning her husband was dead, collapsing and then banging her head repeatedly on the floor.

“Do you realize what you just did?” he asks, shaking his head in disbelief.

“Yeah,” Chapman replies with a vacant stare. “I just killed myself. I am John Lennon.”

I am John Lennon. The chilling words hit Palma right in the gut.

*  *  *

Lead homicide detective Ron Hoffman heads back to the Twentieth, where the alleged assassin will be charged with violation of New York penal law 125.10—criminally negligent homicide.

Hoffman looks into the interrogation room where Chapman is seated, wearing a white thermal undershirt. The suspect is refusing a formal interview.

The detective is working from the premise that “Chapman shot John Lennon because he wanted his moment of glory in the sun.”

In a city filled with grief-stricken fans, Hoffman has to deal with the reality that his prisoner may himself become a target, “another Jack Ruby.”

*  *  *

Assistant district attorney Kim Hogrefe is assigned the case, which is being treated as a “premeditated execution.” Hogrefe must immediately contend with the press. “We felt he was criminally responsible,” he says, explaining that Chapman “borrowed a substantial sum of money—of which $2,000 was found on him—for the purpose of coming to New York City to do what he has done.”

*  *  *

At 6:00 a.m., a caller from California gets through to Yoko’s office in the Dakota, saying, “I am flying to New York to finish the job Chapman started. I’m going to get Yoko Ono.”

Chapter 67

Chapter 67

The love you take

Is equal to the love you make.

—“The End”

At his country estate in the small village of Peasmarsh, East Sussex, Paul receives a phone call. The words he’s hearing make no sense. How can his lifelong friend be gone?

A few minutes later, Linda finds him standing in their driveway. Paul breaks down in her arms.

“I can’t take it in,” he says.

The lifelong peacemaker takes on the pain the world is feeling. “That was like a really big shock in most people’s lives, a bit like Kennedy…For me, it was just so sad that I wasn’t going to see him again.”

*  *  *

George gives a brief statement saying that he’s “shattered and stunned” and that “to rob life is the ultimate robbery.” He retreats into his grief.

*  *  *