Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
When asked about his involvement in the song, John is explicit. “‘Yesterday,’” he says, “I had nothing to do with.”
Chapter 25
Chapter 25
I know what it’s like to be dead.
—“She Said She Said”
Stop worrying!” United Artists’ movie posters commanded. “Help! is on the way.”
Not so for law enforcement assigned to cover the American tour in support of the sound track. “The Beatles may sing rock ’n’ roll, but they’ve got the cops moaning the blues,” the Long Island Star-Journal had reported on the Beatles’ August 1964 tour stop in New York.
One year later, there are heightened procedures in place.
The Beatles are in a helicopter transporting them from Manhattan to the grounds of the World’s Fair, in Queens, where they’ll be whisked into an armored truck flanked by sixty officers and onto a stage built specially for tonight’s show at Shea Stadium.
As the copter flies over Shea, John listens to the roar of the fans, which can be heard all the way up here, over the noise of the helicopter’s engine. PAUL, THROW US A KISS, RINGO, THROW US A RING, one banner pleads. Flashbulbs pop like machine-gun fire.
The American promoter of the concert, Sid Bernstein, marvels at the sight.
“It’s the top of the mountain, Sid,” John says.
* * *
At the Olympic-size swimming pool on the grounds of the Beatles’ rented mansion in Los Angeles, John and Paul are on a secret mission.
“There were good nights and bad nights on the tours,” Ringo says. “But they were all the same. The only fun part was the hotels in the evening, smoking pot and that.”
That is what John and George want to share with Paul and Ringo. On LSD, George recalls, “I had such an overwhelming feeling of well-being, that there was a God, and I could see him in every blade of grass. It was like gaining hundreds of years of experience in twelve hours.”
Deeper experience, too. John has always treated George, the youngest Beatle, as “a kid who played guitar.”
“After taking acid [we] had a very interesting relationship,” George says. “I felt closer to him than all the others…just by the look in his eyes, I felt we were connected.”
John agrees. “We are probably the most cracked,” he says of himself and George, while “Paul is a bit more stable than George and I.”
And though John and George make it clear that “we couldn’t relate” to the uninitiated, Paul isn’t swayed, though he “felt very left out,” George later says. Still, while Ringo is willing to experiment, Paul holds back. “It was the way I’d been brought up,” he explains. “‘Beware the demon drug.’” But George admits, “We were all slightly cruel to him,” taunting Paul, “We’re taking it and you’re not.” The other three all drop acid, along with musicians David Crosby and Roger McGuinn of the Byrds and actor Peter Fonda.