Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

The first Beach Boys album, Surfin’ Safari, is released by EMI on the very same Friday that “Love Me Do” goes on sale, and across the ocean, in New York City, twenty-one-year-old Bob Dylan, whom NME’s weekly US columnist, Nat Hentoff, dubs “the most startling of all the American city folk singers,” is playing Town Hall, on West 43rd Street.

Just a few months earlier, a young student from Iran named Fery Asgari revitalizes a basement music venue in west London called the Ealing Club by starting a weekly R&B night. The Ealing Club quickly becomes one of the hottest spots in London, with people lauding its R&B musicians, especially blues guitarists Alexis Korner and Cyril Davies. There, in April, Korner introduces young R&B fanatic Brian Jones to a nineteen-year-old student from the London School of Economics named Mick Jagger and Mick’s friend Keith Richards. The rest is rock ’n’ roll history. At the same time that the Beatles, the Beach Boys, and Dylan are debuting, Jones, Jagger, and Richards’s newly formed band, the Rolling Stones, is playing its tenth gig down in Surrey.

“The Stones were playing little clubs in London—doing Chuck Berry songs and blues and things—and we thought we were totally unique animals, [that] there was no one like us,” Mick Jagger says, reminiscing. “And then we heard there was a group from Liverpool. They had long hair, scruffy clothes and a record contract, and they had a record in the charts, with a bluesy harmonica on it, called ‘Love Me Do’—when I heard the combination of all these things, I was almost sick.”

The two bands frequent the same clubs. Mick Jagger sees the Beatles out one night in their matching suede coats.

“Fuckin’ hell! I want one of those coats,” he says. “I want a long coat like that, but to do that, I’ll have to earn money.”

With a record climbing the charts, the Beatles are on their way.

*  *  *

“Love Me Do” rises to number 46 in Record Retailer.

Then it goes to number 41.

And it keeps climbing.

“I was on my own at home this morning, and when I looked at the NME and saw we were in at 27 I was delirious,” Paul later says. “‘There it is! There we are!’ I was shaking.” Being on the charts is proof they’ve really made it. “Twenty-seven was the height.”

Even when they return from another two-week gig back in Hamburg that Brian won’t let them out of, “Love Me Do” remains at number 27 on the NME top thirty and is still moving up other charts. At the end of December, they head back to Germany again for their fifth—and final—Hamburg gig.

“We went in young boys,” John later says about their time in Hamburg, “and came out old men.”

*  *  *