Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

John puts on his leather jacket. He’s out of time. A radio crew is arriving for an interview.

“Ooh, can I have one with the jacket?” Leibovitz asks.

The shot captures him turning up his collar, launching a determined stare directly into the camera lens.

*  *  *

RKO radio announcer Dave Sholin and his crew are escorted into Lennon’s apartment. They follow house rules and take off their shoes before they begin setting up their recording equipment.

“I hope to God that I die before Yoko,” he tells Sholin and his crew. “I don’t know what I would do if she left before I did.”

Over the next three hours, conversation covers a wide swath of topics. “He was just bubbling over with enthusiasm with everything in his life,” Sholin recalls. “He felt like that was it; he had turned the page and was starting another chapter.”

“I’m ready to start all over again and get this thing going,” John tells them. “Who knows what’s going to happen next?”

The late afternoon sun gives way to twilight. John and Yoko depart with the radio crew. It’s after 4:00 p.m., and the Dakota is shrouded in darkness.

—

December 8, 1980

Jude Stein has given up any hope of seeing Lennon today.

“Good luck getting your album signed,” she tells Mark.

“You sure you won’t have dinner with me?”

“I’ve gotta go, Mark. Good luck!”

“I plan to stay for as long as it takes.”

Mark is now alone with Paul Goresh. The fat cameraman is doing his best to ignore him.

John Lennon emerges from the Dakota. Yoko is with him, along with a small group of people—reporters, Mark thinks. They’re all holding cassette recorders.

Mark’s heart is pounding, his hand dripping with sweat as he glares at Lennon. The man he’s admired and scorned is finally here, just a few feet away, wearing dark sunglasses and a brown bomber jacket over his thin frame.

Mark can’t talk.

Can’t move.

Goresh is looking at him now. “Hey, man, I thought you wanted your album autographed. What the heck are you waiting for? There he is!”

Lennon and Yoko look past them, out to the street, at the traffic.

They’re looking for their limo.

The night watchman moves up next to the famous couple and says, “I’m sorry, but your car hasn’t shown up yet.”

Lennon glances at his watch, displeased. Then he turns to the bearded man standing next to him and says, “Can we get a lift?”

“We’re headed to the airport,” the man replies. “You both are welcome to hitch a ride with us.”

As the group begins loading their recording gear into the trunk of a car, John and Yoko walk into the street.

Mark follows.

Waves his copy of Double Fantasy in Lennon’s direction.