Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
John puts on his leather jacket. He’s out of time. A radio crew is arriving for an interview.
“Ooh, can I have one with the jacket?” Leibovitz asks.
The shot captures him turning up his collar, launching a determined stare directly into the camera lens.
* * *
RKO radio announcer Dave Sholin and his crew are escorted into Lennon’s apartment. They follow house rules and take off their shoes before they begin setting up their recording equipment.
“I hope to God that I die before Yoko,” he tells Sholin and his crew. “I don’t know what I would do if she left before I did.”
Over the next three hours, conversation covers a wide swath of topics. “He was just bubbling over with enthusiasm with everything in his life,” Sholin recalls. “He felt like that was it; he had turned the page and was starting another chapter.”
“I’m ready to start all over again and get this thing going,” John tells them. “Who knows what’s going to happen next?”
The late afternoon sun gives way to twilight. John and Yoko depart with the radio crew. It’s after 4:00 p.m., and the Dakota is shrouded in darkness.
—
December 8, 1980
Jude Stein has given up any hope of seeing Lennon today.
“Good luck getting your album signed,” she tells Mark.
“You sure you won’t have dinner with me?”
“I’ve gotta go, Mark. Good luck!”
“I plan to stay for as long as it takes.”
Mark is now alone with Paul Goresh. The fat cameraman is doing his best to ignore him.
John Lennon emerges from the Dakota. Yoko is with him, along with a small group of people—reporters, Mark thinks. They’re all holding cassette recorders.
Mark’s heart is pounding, his hand dripping with sweat as he glares at Lennon. The man he’s admired and scorned is finally here, just a few feet away, wearing dark sunglasses and a brown bomber jacket over his thin frame.
Mark can’t talk.
Can’t move.
Goresh is looking at him now. “Hey, man, I thought you wanted your album autographed. What the heck are you waiting for? There he is!”
Lennon and Yoko look past them, out to the street, at the traffic.
They’re looking for their limo.
The night watchman moves up next to the famous couple and says, “I’m sorry, but your car hasn’t shown up yet.”
Lennon glances at his watch, displeased. Then he turns to the bearded man standing next to him and says, “Can we get a lift?”
“We’re headed to the airport,” the man replies. “You both are welcome to hitch a ride with us.”
As the group begins loading their recording gear into the trunk of a car, John and Yoko walk into the street.
Mark follows.
Waves his copy of Double Fantasy in Lennon’s direction.