Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
I’m happy to be forty years old,” John says when he calls producer Jack Douglas on November 10, one week ahead of the worldwide release of Double Fantasy. “I’m in the best shape I’ve ever been in my life and I feel the best I ever felt.”
Critics pounce on John’s advanced age in rock ’n’ roll years—“The old bugger still has a wonderful voice by the way,” says New Musical Express. John, still celebrating, is unfazed. One recipient of his generosity is Paul Goresh. On their way to the Hit Factory, John and Yoko pose for the photographer in front of the Dakota.
In Poole, England, John’s aunt Mimi receives an extravagant gift. She opens the fancy silver box labeled CARTIER to discover an exquisite pearl necklace and matching brooch. An engraved card reads, “Double Fantasy—Christmas 1980—NYC—John and Yoko.”
“You’re daft!” Mimi scolds John when she reaches him on the phone at the Dakota.
“Go on, Mimi, spoil yourself,” he says, “just for a change.”
—
December 8, 1980
Mark is standing outside the Dakota when he is joined by a familiar face: the woman he met his first day there, Lennon superfan Jude Stein.
“Jeri and I came to meet you the other night,” Jude says. “What happened?”
He feels a lie tingling on his lips. But no, he’ll tell the truth this time. Keep them guessing.
“I went back to my room and fell asleep.” He changes the subject. “We both missed seeing a glimpse of Lennon earlier this morning.”
“And you missed seeing John the other night.” With great delight, Jude describes her conversation with Lennon.
Mark feels the news wash over him.
It’s almost noon, and a crowd is gathering near the Dakota’s entrance, waiting for a chance to see the famous ex-Beatle. A heavyset man with a camera seems annoyed.
“That’s Paul Goresh,” Jude tells him. “He’s some freelance photographer.”
Mark doesn’t like the looks of him.
The cameraman looks right back. He not so casually wanders into their orbit and introduces himself.
Mark keeps to his practiced story—that he’s from Hawaii and here to get Lennon to autograph his album.
“Where are you staying in New York?” Goresh asks.
Why is he interrogating me?
Mark gets in his face. “Why the hell did you ask me that question? What do you want to know that for?”
“Easy, man. Take it easy. I was only making conversation, you know?”
Cool down, he tells himself. Focus.
Mark turns to Jude. “Would you like to join me for lunch? It’ll be my treat.”
They choose a restaurant just one block down from the building—the Dakota Grill. He can keep a close eye on the entrance.
He takes off his hat and his trench coat. The coat holds the gun, so he folds it on his lap.
He orders two beers and a hamburger. Jude has an omelet and coffee.