Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

Suddenly, producer Lorne Michaels starts speaking—directly to the two ex-Beatles and their former bandmates. Unbeknownst to Michaels, his comedy routine has turned into a reality show, because Paul and John are sitting together in front of a television less than two miles from NBC’s studios at 30 Rockefeller Plaza.

It’s been in the news that (in addition to numerous other offers) the band turned down $230 million from Sid Bernstein—the promoter who’d organized the Beatles’ 1964 American tour—to perform a series of bicentennial concerts in the summer of 1976.

“Well, if it’s money you want,” Michaels deadpans, holding up a certified check for $3,000, “all you have to do is sing three Beatles songs. ‘She Loves You,’ yeah, yeah, yeah—that’s $1,000 right there. You know the words. It’ll be easy.”

Michaels has stationed a staffer to watch for any Beatles entering the lobby.

The producer’s wish nearly comes true.

“Wouldn’t it be funny if we went down,” John says to Paul, “just as a gag.”

“I was visiting John at their apartment, and it came on TV,” McCartney recalls in 2019. “He [John] asked if I knew about this. I didn’t, as I had been in the UK, and for a moment we thought we might run down to the TV studio. But we decided it was too much like work and that it would be more fun to have the night off.”

They wonder if John Sebastian wishes he had also passed on the gig. It’s an awkward moment in the live performance when the studio audience refuses to sing along to Sebastian’s hit TV theme song.

John and Paul can agree that the Beatles never faced a lack of audience participation, but when Paul shows up again at the Dakota the next day, carrying his guitar, John finds reason to quarrel.

“Please call before you come over,” John tells him. “It’s not 1956 and turning up at the door isn’t the same anymore.”

Paul turns back, hiding his hurt at the fresh wounds John has cut.

Some relationships, though, John tries to heal.

When word comes via the Apple offices that John’s sixty-three-year-old father, Alf Lennon, has a diagnosis of terminal stomach cancer, there is little time to make amends. He places a transatlantic call to the hospital.

“I’m sorry I treated you the way I did, Dad,” John says.

Alf pushes off the apology, saying, “It’s just bloody marvelous to talk to you again.”

A large bouquet of flowers arrives in Alf’s room, with a card signed by John, Yoko, and Sean, but Alf will never meet his new grandson. On April 1, 1976, he dies, twelve years to the day since he walked into Brian Epstein’s office at NEMS looking for John.

Because of his unresolved immigration status, John can’t travel to attend the funeral.

*  *  *

It’s summer in the city, and John’s only thoughts are of Sean and Yoko.