Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
Suddenly, producer Lorne Michaels starts speaking—directly to the two ex-Beatles and their former bandmates. Unbeknownst to Michaels, his comedy routine has turned into a reality show, because Paul and John are sitting together in front of a television less than two miles from NBC’s studios at 30 Rockefeller Plaza.
It’s been in the news that (in addition to numerous other offers) the band turned down $230 million from Sid Bernstein—the promoter who’d organized the Beatles’ 1964 American tour—to perform a series of bicentennial concerts in the summer of 1976.
“Well, if it’s money you want,” Michaels deadpans, holding up a certified check for $3,000, “all you have to do is sing three Beatles songs. ‘She Loves You,’ yeah, yeah, yeah—that’s $1,000 right there. You know the words. It’ll be easy.”
Michaels has stationed a staffer to watch for any Beatles entering the lobby.
The producer’s wish nearly comes true.
“Wouldn’t it be funny if we went down,” John says to Paul, “just as a gag.”
“I was visiting John at their apartment, and it came on TV,” McCartney recalls in 2019. “He [John] asked if I knew about this. I didn’t, as I had been in the UK, and for a moment we thought we might run down to the TV studio. But we decided it was too much like work and that it would be more fun to have the night off.”
They wonder if John Sebastian wishes he had also passed on the gig. It’s an awkward moment in the live performance when the studio audience refuses to sing along to Sebastian’s hit TV theme song.
John and Paul can agree that the Beatles never faced a lack of audience participation, but when Paul shows up again at the Dakota the next day, carrying his guitar, John finds reason to quarrel.
“Please call before you come over,” John tells him. “It’s not 1956 and turning up at the door isn’t the same anymore.”
Paul turns back, hiding his hurt at the fresh wounds John has cut.
Some relationships, though, John tries to heal.
When word comes via the Apple offices that John’s sixty-three-year-old father, Alf Lennon, has a diagnosis of terminal stomach cancer, there is little time to make amends. He places a transatlantic call to the hospital.
“I’m sorry I treated you the way I did, Dad,” John says.
Alf pushes off the apology, saying, “It’s just bloody marvelous to talk to you again.”
A large bouquet of flowers arrives in Alf’s room, with a card signed by John, Yoko, and Sean, but Alf will never meet his new grandson. On April 1, 1976, he dies, twelve years to the day since he walked into Brian Epstein’s office at NEMS looking for John.
Because of his unresolved immigration status, John can’t travel to attend the funeral.
* * *
It’s summer in the city, and John’s only thoughts are of Sean and Yoko.