Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

The club is made up of Hollywood rockers such as Cooper, Bernie Taupin (Elton John’s songwriting partner), Mickey Dolenz of the Monkees, and Keith Moon of the Who (often clad in outrageous costumes, including a Queen Elizabeth getup). Whenever he’s in town, Ringo is a welcome member. They all congregate for endless rounds of late-night drinks in the upstairs loft at Hollywood’s Rainbow Bar & Grill, which is adorned with a plaque reading THE LAIR OF THE HOLLYWOOD VAMPIRES.

John finds his way into the club through his good friend Harry Nilsson, the Grammy-winning singer-songwriter famed for his version of the folk-rock song “Everybody’s Talkin’” (from the Oscar-winning 1969 film Midnight Cowboy) and his more recent orchestral smash-hit cover of “Without You,” a ballad by the Beatles’ Apple label signees Badfinger.

Alice Cooper—who’s just covered the Beatles’ “A Hard Day’s Night” during the tour promoting his Billion Dollar Babies album—often falls into the uneasy role of mediator between Harry and John. “They were the best of friends, but when they drank, they liked to get political and talk about religion and everything else that causes fights.”

Cooper notes, “Everybody’s personality changes a little bit when they drink.” In John and Harry’s case, “It was funny because neither one was a fighter; they just had a belligerent streak in them every once in a while. Most of the time they were laughing.”

“The difference between the two was that Harry loved to drink and was good at it,” explains Elliot Mintz. “John also loved to drink, but was no good at it. At the beginning of an evening with the two of them, the conversation would be brilliant…Then suddenly it would flip, and the insanity would start.”

*  *  *

One such night is March 12, 1974, when John and Harry show up at the Troubadour, a favorite nightclub in West Hollywood, for a midnight comedy show.

Sitting next to them is Rat Pack actor (and fellow Brit) Peter Lawford, whose former beach house John is currently renting in Santa Monica.

“Brandy Alexanders for the table!” Harry orders. He and John are already pretty blitzed.

“What’s that?” John asks. He’s never heard of the drink, let alone tried one.

“Brandy and cream with chocolate liqueur. Don’t worry, you’ll love it,” Harry assures him.

“They taste like milk shakes,” John exclaims when they arrive. Several more rounds of the unexpectedly potent cocktails go down with dangerous ease.

May Pang sits by, helpless. “Harry would keep feeding John drinks until it was too late.”

The Smothers Brothers come onstage to perform a comedy routine.

Tommy Smothers is an old friend of John, having sung in the chorus on “Give Peace a Chance.”

Instead of giving them a friendly greeting, John and Harry start heckling Tommy and Dick Smothers. “I think we almost screwed up the act,” John later admits.