Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

Friend and local radio DJ Elliot Mintz picks them up at the airport. With John and Yoko, Mintz was accustomed to talking “not about me or them but the state of the world.” Now John surprises him by cutting straight to the state of his marriage and telling Mintz that Yoko has “kicked him out and he didn’t know when or even if they’d be getting back together.”

Meanwhile, John’s with May and finishing up a new album he recorded at the Record Plant before leaving New York. He’s self-producing it under the title Mind Games.

Over a steady stream of his signature French cigarettes—unfiltered brands such as Gauloises and Gitanes, which he feels make his voice deeper—John tells a reporter for Melody Maker that his intention is “to sit on Capitol, to do the artwork and to see to things like radio promotion.”

The sitting part was certainly accomplished. “It was a big blow when they [the Beatles] split up, of course,” says Don Zimmerman, executive director of Capitol Records. “But after that, we got to know them more on an individual level. When John was splitting up with Yoko, he spent time at the Tower [the Capitol Records Building]. He’d come in and put his feet up on the coffee table, the only problem being that you couldn’t get any work done.”

As for the music, “It’s rock at different speeds. It’s not a political album, or an introspective album,” John says of Mind Games. “Someone told me it was like Imagine with balls, which I like a lot.”

In Los Angeles, John is relaxed, reconnecting with dozens of old friends and making scores of influential new acquaintances. Although he would eventually come to characterize the following year and a half as a “lost weekend” of depression and debauchery—and there are bouts of both—there’s also a great deal of creativity, productivity, and fun.

For the first time in his adult life, John is defined neither as a Beatle nor as the husband of Yoko Ono. “He reached artistic heights and healed a lot of his personal relationships,” recalls May. “Most important,” she adds, in contrast to the way media reports present it, “he wasn’t miserable for 18 months.” Journalist Larry Kane concurs, revealing that in 1975, John tells him his months with May were among the “happiest times of my life.”

John finishes three solo albums and produces two others for friends. “It wasn’t by any means a lost weekend,” says Elliot Mintz. “Just a very long one.”