Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
Friend and local radio DJ Elliot Mintz picks them up at the airport. With John and Yoko, Mintz was accustomed to talking “not about me or them but the state of the world.” Now John surprises him by cutting straight to the state of his marriage and telling Mintz that Yoko has “kicked him out and he didn’t know when or even if they’d be getting back together.”
Meanwhile, John’s with May and finishing up a new album he recorded at the Record Plant before leaving New York. He’s self-producing it under the title Mind Games.
Over a steady stream of his signature French cigarettes—unfiltered brands such as Gauloises and Gitanes, which he feels make his voice deeper—John tells a reporter for Melody Maker that his intention is “to sit on Capitol, to do the artwork and to see to things like radio promotion.”
The sitting part was certainly accomplished. “It was a big blow when they [the Beatles] split up, of course,” says Don Zimmerman, executive director of Capitol Records. “But after that, we got to know them more on an individual level. When John was splitting up with Yoko, he spent time at the Tower [the Capitol Records Building]. He’d come in and put his feet up on the coffee table, the only problem being that you couldn’t get any work done.”
As for the music, “It’s rock at different speeds. It’s not a political album, or an introspective album,” John says of Mind Games. “Someone told me it was like Imagine with balls, which I like a lot.”
In Los Angeles, John is relaxed, reconnecting with dozens of old friends and making scores of influential new acquaintances. Although he would eventually come to characterize the following year and a half as a “lost weekend” of depression and debauchery—and there are bouts of both—there’s also a great deal of creativity, productivity, and fun.
For the first time in his adult life, John is defined neither as a Beatle nor as the husband of Yoko Ono. “He reached artistic heights and healed a lot of his personal relationships,” recalls May. “Most important,” she adds, in contrast to the way media reports present it, “he wasn’t miserable for 18 months.” Journalist Larry Kane concurs, revealing that in 1975, John tells him his months with May were among the “happiest times of my life.”
John finishes three solo albums and produces two others for friends. “It wasn’t by any means a lost weekend,” says Elliot Mintz. “Just a very long one.”