Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

“I needed a rest. I needed space,” she tells The Telegraph many years later. “I was very aware that we were ruining each other’s careers and I was hated and John was hated because of me. We did everything together and we did everything publicly together. The Bed-In was our work for peace but we weren’t liked for it,” she reflects. “It was a very difficult time.”

As for John’s recent behavior, “I started to notice that he became a little restless on top of that, so I thought it’s better to give him a rest and me a rest.”

Though stories vary, Yoko maintains that she’s the one who orchestrates the next steps. It’s obvious they’ll never really succeed in staying apart as long as John remains in New York, “So then I suggested L.A., and he just lit up,” Yoko says.

She also knows that being left to his own devices would not be good for John. He doesn’t know how to be single; he’s never been fully on his own. Yoko decides he needs someone to look after him, a woman to keep him interested (and in line). So she casts about and decides to approach one of their assistants—the always friendly and helpful May Pang, who is single and pretty—to take on the role of John’s new girlfriend. “May Pang was a very intelligent, attractive woman and extremely efficient. I thought they’d be OK,” Yoko reasons.

She pitches the idea to May. “John will probably start going out with other people. Who knows who he will go out with? I know he likes you a lot. So…?”

Twenty-two-year-old May—a Chinese American woman from Spanish Harlem, who is first and foremost a “gung-ho rock fan”—is startled and confused by the proposition.

“I just looked at her and said, ‘Not me. I’m not interested,’” May tells interviewers in 2008. But Yoko is undeterred. “I know you’re not after him, but you need a boyfriend,” May recalls Yoko telling her. “I let that pass because I thought this is one of those crazy moments, and I had hoped her idea would pass.”

The thought of having an affair with her boss, a married man, has never even crossed the young Catholic girl’s mind.

Though monumentally out of her depth, once John approaches her himself to make it clear that he is in fact interested in her, May decides she’s willing to be part of this strange situation. In the late summer of 1973, John and May decamp for Los Angeles—but not on Yoko’s orders, May insists—because there are obvious benefits for the new couple in another city. Plus, John has recording projects lined up in LA, so Capitol Records fronts the expense of the trip with a loan to John of $10,000 in traveler’s checks.