Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
“I needed a rest. I needed space,” she tells The Telegraph many years later. “I was very aware that we were ruining each other’s careers and I was hated and John was hated because of me. We did everything together and we did everything publicly together. The Bed-In was our work for peace but we weren’t liked for it,” she reflects. “It was a very difficult time.”
As for John’s recent behavior, “I started to notice that he became a little restless on top of that, so I thought it’s better to give him a rest and me a rest.”
Though stories vary, Yoko maintains that she’s the one who orchestrates the next steps. It’s obvious they’ll never really succeed in staying apart as long as John remains in New York, “So then I suggested L.A., and he just lit up,” Yoko says.
She also knows that being left to his own devices would not be good for John. He doesn’t know how to be single; he’s never been fully on his own. Yoko decides he needs someone to look after him, a woman to keep him interested (and in line). So she casts about and decides to approach one of their assistants—the always friendly and helpful May Pang, who is single and pretty—to take on the role of John’s new girlfriend. “May Pang was a very intelligent, attractive woman and extremely efficient. I thought they’d be OK,” Yoko reasons.
She pitches the idea to May. “John will probably start going out with other people. Who knows who he will go out with? I know he likes you a lot. So…?”
Twenty-two-year-old May—a Chinese American woman from Spanish Harlem, who is first and foremost a “gung-ho rock fan”—is startled and confused by the proposition.
“I just looked at her and said, ‘Not me. I’m not interested,’” May tells interviewers in 2008. But Yoko is undeterred. “I know you’re not after him, but you need a boyfriend,” May recalls Yoko telling her. “I let that pass because I thought this is one of those crazy moments, and I had hoped her idea would pass.”
The thought of having an affair with her boss, a married man, has never even crossed the young Catholic girl’s mind.
Though monumentally out of her depth, once John approaches her himself to make it clear that he is in fact interested in her, May decides she’s willing to be part of this strange situation. In the late summer of 1973, John and May decamp for Los Angeles—but not on Yoko’s orders, May insists—because there are obvious benefits for the new couple in another city. Plus, John has recording projects lined up in LA, so Capitol Records fronts the expense of the trip with a loan to John of $10,000 in traveler’s checks.