Back The First to Die at the End Save as PDF
Chapters (128)
  1. Cover
  2. Title Page
  3. Dedication
  4. PART ONE
  5. Orion Pagan
  6. Valentino Prince
  7. Orion
  8. Valentino
  9. Orion
  10. Valentino
  11. Orion
  12. Valentino
  13. Orion
  14. PART TWO
  15. Joaquin Rosa
  16. Orion
  17. Valentino
  18. Orion
  19. Joaquin Rosa
  20. Valentino
  21. Joaquin Rosa
  22. Valentino
  23. Orion
  24. Joaquin Rosa
  25. Rolando Rubio
  26. Andrea Donahue
  27. Valentino
  28. Orion
  29. Valentino
  30. Orion
  31. Valentino
  32. Orion
  33. Valentino
  34. Orion
  35. Valentino
  36. Joaquin Rosa
  37. PART THREE
  38. William Wilde
  39. Joaquin Rosa
  40. Valentino
  41. Orion
  42. Frankie Dario
  43. Valentino
  44. Frankie Dario
  45. Orion
  46. Valentino
  47. Scarlett Prince
  48. Captain Harry E. Pearson
  49. Scarlett Prince
  50. Orion
  51. Scarlett Prince
  52. Naya Rosa
  53. Joaquin Rosa
  54. Naya Rosa
  55. Frankie Dario
  56. Gloria Dario
  57. Naya Rosa
  58. Rolando Rubio
  59. Dalma Young
  60. Valentino
  61. Rolando Rubio
  62. Frankie Dario
  63. Valentino
  64. Scarlett Prince
  65. Valentino
  66. Orion
  67. Valentino
  68. Naya Rosa
  69. Valentino
  70. Férnan Emeterio
  71. Orion
  72. Rolando Rubio
  73. Valentino
  74. Captain Harry E. Pearson
  75. Orion
  76. Clint Suarez
  77. Gloria Dario
  78. Orion
  79. Scarlett Prince
  80. Valentino
  81. Gloria Dario
  82. Orion
  83. Valentino
  84. Joaquin Rosa
  85. Orion
  86. Joaquin Rosa
  87. Valentino
  88. Scarlett Prince
  89. Orion
  90. Valentino
  91. Gloria Dario
  92. Rufus Emeterio
  93. Mateo Torrez Jr.
  94. Orion
  95. Valentino
  96. Orion
  97. Valentino
  98. PART FOUR
  99. Orion
  100. Frankie Dario
  101. Valentino
  102. Orion
  103. Gloria Dario
  104. Valentino
  105. Frankie Dario
  106. Valentino
  107. Paz Dario
  108. Frankie Dario
  109. Dalma Young
  110. Orion
  111. Dalma Young
  112. Gloria Dario
  113. Orion
  114. PART FIVE
  115. Orion
  116. Dalma Young
  117. Scarlett Prince
  118. Gloria Dario
  119. Orion
  120. Dalma Young
  121. Orion
  122. Joaquin Rosa
  123. Orion
  124. Acknowledgments
  125. About the Author
  126. Books by Adam Silvera
  127. Back Ad
  128. About the Publisher

Truth be told, the only call Rolando would be happy to make right now is to the woman who got away, Gloria Dario, though he prefers thinking of her by her maiden name, Medina. A funny story about her son, Paz, would remind him that life isn’t all about death. Unfortunately, his phone is in his locker so he can focus on the task at hand, and it’s too late to disturb her anyhow. Her husband, Frankie, would be upset if Rolando woke everyone up; that man’s temper is alarming, and Gloria would have to pay the price.

An even greater truth to be told is that Rolando wouldn’t mind seeing Frankie’s name appear on this computer, promising his death, but unfortunately Frankie’s not registered for the service. If he were, that would give Rolando more than enough reason to keep working at Death-Cast.

It would be the one End Day call that Rolando could make with a smile on his face.

Andrea Donahue

1:07 a.m.

Death-Cast did not call Andrea Donahue because she is not dying today, but the same can’t be said for the nineteen Deckers she’s called in the past hour.

Well, maybe the same can be said for them.

Who’s to say if Death-Cast is even real?

Not Andrea. She doesn’t need to know the company’s big secret (though if someone bribed her with an offer worth risking her solid salary and ironically amazing life insurance, she could be persuaded to do some digging. The private school she’s hoping to send her daughter to won’t be cheap). She minds her business—mostly. She can’t help but notice her fellow herald Rolando is terrible at this job. How did he spend forty minutes on a single call? Andrea believes in kindness, but come on. Befriending someone who is about to die has no value; it’s like flushing cash down the toilet. This person will not become a lifelong friend who attends your wedding, or your funeral. They will not celebrate your triumphs, or comfort you during your failures. They won’t even move into tomorrow with you.

What’s the point?

After Rolando hangs up his call that was certainly shorter than his first but still not as timely as it could’ve been, Andrea knows she must intervene.

“Rolando,” she whispers. “Can I give you some advice?”

He nods with teary eyes and no backbone.

“Do yourself a favor and stop thinking of these Deckers as people,” she says, turning to her computer and dialing the next number because time is of the essence—the other important lesson her coworker needs to learn. “Just deliver the warning and move on. Getting someone’s life story isn’t something you should bring home at the end of the day.”