Back The First to Die at the End Save as PDF
Chapters (128)
  1. Cover
  2. Title Page
  3. Dedication
  4. PART ONE
  5. Orion Pagan
  6. Valentino Prince
  7. Orion
  8. Valentino
  9. Orion
  10. Valentino
  11. Orion
  12. Valentino
  13. Orion
  14. PART TWO
  15. Joaquin Rosa
  16. Orion
  17. Valentino
  18. Orion
  19. Joaquin Rosa
  20. Valentino
  21. Joaquin Rosa
  22. Valentino
  23. Orion
  24. Joaquin Rosa
  25. Rolando Rubio
  26. Andrea Donahue
  27. Valentino
  28. Orion
  29. Valentino
  30. Orion
  31. Valentino
  32. Orion
  33. Valentino
  34. Orion
  35. Valentino
  36. Joaquin Rosa
  37. PART THREE
  38. William Wilde
  39. Joaquin Rosa
  40. Valentino
  41. Orion
  42. Frankie Dario
  43. Valentino
  44. Frankie Dario
  45. Orion
  46. Valentino
  47. Scarlett Prince
  48. Captain Harry E. Pearson
  49. Scarlett Prince
  50. Orion
  51. Scarlett Prince
  52. Naya Rosa
  53. Joaquin Rosa
  54. Naya Rosa
  55. Frankie Dario
  56. Gloria Dario
  57. Naya Rosa
  58. Rolando Rubio
  59. Dalma Young
  60. Valentino
  61. Rolando Rubio
  62. Frankie Dario
  63. Valentino
  64. Scarlett Prince
  65. Valentino
  66. Orion
  67. Valentino
  68. Naya Rosa
  69. Valentino
  70. Férnan Emeterio
  71. Orion
  72. Rolando Rubio
  73. Valentino
  74. Captain Harry E. Pearson
  75. Orion
  76. Clint Suarez
  77. Gloria Dario
  78. Orion
  79. Scarlett Prince
  80. Valentino
  81. Gloria Dario
  82. Orion
  83. Valentino
  84. Joaquin Rosa
  85. Orion
  86. Joaquin Rosa
  87. Valentino
  88. Scarlett Prince
  89. Orion
  90. Valentino
  91. Gloria Dario
  92. Rufus Emeterio
  93. Mateo Torrez Jr.
  94. Orion
  95. Valentino
  96. Orion
  97. Valentino
  98. PART FOUR
  99. Orion
  100. Frankie Dario
  101. Valentino
  102. Orion
  103. Gloria Dario
  104. Valentino
  105. Frankie Dario
  106. Valentino
  107. Paz Dario
  108. Frankie Dario
  109. Dalma Young
  110. Orion
  111. Dalma Young
  112. Gloria Dario
  113. Orion
  114. PART FIVE
  115. Orion
  116. Dalma Young
  117. Scarlett Prince
  118. Gloria Dario
  119. Orion
  120. Dalma Young
  121. Orion
  122. Joaquin Rosa
  123. Orion
  124. Acknowledgments
  125. About the Author
  126. Books by Adam Silvera
  127. Back Ad
  128. About the Publisher

And then Joaquin Rosa went on air and admitted that his company isn’t the godsend he claimed it is, ruining Frankie’s chances of capturing the shock of any Deckers who survive.

Frankie feels stuck, as if he’s unable to evict himself from this life the way he can tenants in his building. He wishes he could get rid of everyone. That way he could go hide out on the first floor whenever Gloria is getting on his nerves; he’d essentially be living downstairs with that in mind. This building . . . why couldn’t his father leave him a better legacy to inherit, like a Fortune 500 company? Instead, Frankie has to deal with unclogging pipes and burning himself on radiators and being made out to be the bad guy because other people can’t pay their bills on time. How is that his fault? Pay up or get out. This isn’t a homeless shelter.

Frankie is watching the evening news in his living room, where the topic is Death-Cast. Surprise, surprise. His apartment door has remained open since the morning, even when his downstairs tenant decided to blast some bachata this afternoon; he was ready to put an eviction notice on her door just because. But Frankie has been hoping that maybe Valentino Prince somehow survived this deep into his final day, though that seems unlikely given how the newscasters are talking about Death-Cast’s successful predictions among the registered users they did call. Still, he keeps his door open, knowing that there’s less than six hours before midnight.

A lot can happen in that time.

The lobby door all the way downstairs slams shut, a complaint often made by the first-floor tenants, and Frankie continues claiming he’ll get around to it and never does and hopes he never has to. Could it be Valentino? Then he recognizes the fast footsteps running up the stairs and he sighs in response.

Paz runs inside. “Dad! Dad! Dad!”

“Yes?” Frankie asks.

“I booked the commercial! I film next week!”

Frankie turns to his son, not giving him his full attention but just enough. How is it possible—how is it fair?—that a child continues getting closer to his dreams than his own father? First it was a small role in that movie, and now it’ll be some commercial, and next it’ll be a starring role in some TV show. Why is the world ready to show this child more love than a man who has done his time, who has worked hard, who has hustled?

“Good job” is all Frankie says.

“It was so fun,” Paz says, plopping down on the couch next to him. “Then we all went to get ice cream. I got a brain freeze.”

All?