Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘But it isn’t good?’

Jason’s eyes slide to the side. ‘I mean – look,’ he says, his gaze turning directly towards me and locking on to mine. For a moment, my heart seems to spasm and I think he’s going to tell me that none of this is good, that everything is over, that we’re done for. ‘Joe has disagreed with your version of events.’

I close my eyes. It’s funny how, even in estrangement, I still feel close to Joe. We might no longer live in those beautiful, tiny cottages with their mullioned windows and stone floors, work at the vets’ together, hang out every night. I might be here, in a lawyer’s office, and he in his own, and yet … I feel I could reach out to touch him, my brother Joe.

‘How bad?’ I say. The statements were taken separately, as they have to be. Maybe, maybe, maybe there are just small inconsistencies. Maybe our recollections are only slightly different. Maybe it’s nothing.

But, like everything that followed Verona, the best-case scenario just simply doesn’t materialize. It is a run of bad luck, like throwing a one on a dice a hundred times in a row.

‘It’s very different,’ Jason says plainly. He reaches for the file marked ‘R. v. Plant – File 1’, and, as it sleets outside in random flurries, he starts to explain it to me, and we get to work. With fixing it. With fixing the mess we all made. I stare as the sleet becomes rain as it hits the dirty glass in Jason’s office. Of course we are done for, I think. It was foolish to have hope.

I blink as I look back up at Jason, underlining a section of Joe’s statement. The crime is done, and now to the punishment.

36.

Then

Cathy

Cathy gets out of her car, her feet submerging immediately into the puddles that surround it, and walks up to Frannie’s front door instead of her own. She barely saw her today, at work, and she has decided to speak to her after she saw her wandering the country lanes with Joe. They need to clear the air, and Frannie is an easier person to do that with than Joe.

Cathy has exchanged numbers with Tom but hasn’t yet heard from him. As they parted, he’d touched her shoulder, and Cathy’s body moved towards his like it was no longer within her control. Other than that, though, the coffee date ended like many dates have before. A half-hearted promise, an intended plan. It will be cancelled by him, she assumes, a new plan made, cancelled again, the potential dying off like snow that falls but doesn’t settle.

Frannie answers the door with their parents, who have their coats on. Frannie is wearing a colourful headscarf and holding Paul, who’s in one of those towels with a hood. His eyes are dark brown, framed by straight, wet lashes. He smells of lavender and biscuits and milk. Paul startles at her, surprised to see her, then hides his face for just a second, a game he often plays.