Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

She is keeping their crimes a secret. The beginning of the crime doesn’t matter, because of the ones they have committed along the way, like a train that just goes all night, on a loop, with no end or beginning, so nobody remembers where it came from.

‘It’s about Paul,’ Cathy says quickly. ‘For Frannie.’

‘I know,’ Joe says, smiling a sad half-smile as he thinks of how Paul is terrified of his own reflection in the mirror. Joe can’t wait for him to realize it is himself, for that wide-open toothy smile to break. ‘And it’s about Rosie. Isn’t it?’ he asks, wanting to talk about it, even though it’s a place they hardly ever go to.

‘It’s absolutely about Rosie,’ Cathy says, surprising him.

26.

Now

Jason’s Office, early March, 5.00 p.m.

‘Ms Plant,’ Jason says with a nod as I arrive for my session.

I say nothing, sitting down opposite him. I know I’ve avoided it long enough now. I cross my feet at their ankles.

Jason is in jeans and a jumper today, dressed casually with no explanation. He rubs at his left eye with his index finger as he gazes down at some papers. ‘How are you feeling?’ he says, kind of listlessly, it seems to me.

‘You know,’ I say. ‘Up and down.’

Outside, I hear the hiss of a bus pulling away. We’re into March, though the weather isn’t yet warming up. Somehow, the turn of the year from February to March seems to have focused both of our minds.

‘Right, we need to get to it,’ Jason says crisply.

‘I know,’ I say. I sink my face into my hands. ‘I know. I have talked around it for weeks, I know.’

‘Look,’ he says gently. My hands are still covering my eyes, and I feel him begin to move around the room, tidying up; an obvious diversionary tactic but one I’m grateful for nonetheless. ‘Would it help to hear of all of the people I have been through this with? You’re in safe hands, I promise.’

‘Are any of them in prison?’ I say sadly.

He puts the papers on the shelf and gets out a new, blank pad, a deliberate gesture maybe. He sits and leans forward, looking at me, his elbows on his knees. ‘Going over it – it’s a necessary evil, okay? Like – like the dentist. And, yes, some of them are in prison.’

I give a sardonic laugh. ‘God.’

‘Look,’ he says, ‘I have most of the information, and now we just need to … to shape it.’

‘Into a statement,’ I say sadly.

He leans forward and gets file number one. He has four of them now. They seem to multiply each time I visit. Four teal bundles, pink ribbons wrapped around them, tied in careless bows by Jason himself, who seems to have no secretary, no assistant.

‘I think our strategy should be that we just tell your version of events to the court, at the trial,’ he says, pointing to the pad where the statement will rest. ‘Play as straight a bat as possible. Exactly what happened, from start to finish. Okay? No games, no narrative. No lies.’