Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

She has been thinking too about why an Italian policeman was walking alone on a Verona road, towards their villa, carrying a warrant with their surname on it. For the first time, Cathy sees a different perspective. What if there’s much more to this than meets the eye? What if William was coming to find them? What if he knew something about a member of her family? Joe? Frannie? Lydia? Cathy herself?

But, just as she thinks it, the perspective disappears, and she can’t quite catch it again, no matter how hard she tries.

The police station is nothing like anything in the UK. There is evidence everywhere that Italy is old, and old school. From the outside, it looks like an ancient ruin. Brown-stone, blocky. Dirty in that charming way of old buildings, marred with centuries of people’s living. The fawn-coloured stone is water-stained, a huge blemish above the door that looks like coppery old blood.

A man in a black stab vest with POLIZIA written on it greets her at reception. She is led into a room that smells of newspapers and coffee. As she stares at an evidence bag in the corner of the room, she thinks of Will’s skin, bluish in the moonlight. His fingernails dirty with grime by the time they got him into the earth. The way, in the end, because of the depth of the hole, they had to throw him in like a rag doll.

A prosecutor sits opposite her. He is clean-shaven, not handsome exactly but perhaps interesting to look at.

‘We are interviewing anyone who might have seen something connected to Will,’ he says to her in perfect English. His name is Matt. ‘Last night between eleven o’clock and noon today.’

‘Okay,’ she says, trying to sound normal.

Will. Such a simple piece of knowledge but meaningful too. He preferred Will over William. The same way she prefers the shortened version of her name too. Maybe his parents were – like hers – stuffy and traditional. Catherine, Francesca and Joseph and Rosemary. So formal.

‘Eleven o’clock?’ she says, stalling for time. That must be the time he was last seen by anybody. Except them, of course.

The prosecutor is holding a biro, his grip loose. He checks his watch and writes the time along the top of the lined pad. Cathy is good at reading people, and, in her opinion, there is nothing to suggest that this man knows what’s going on.

Matt seems, to Cathy, to be running through an entirely routine list of questions.

‘So your siblings and you were – up late?’

‘Yes, that’s right – we stayed up having a few drinks outside.’

‘And the drinks became a barbecue?’ His tone is mild but his brown eyes are watchful, flicking across her like she is in a scanner. His gaze on her eyes, then her hands, her fingertips, her legs drumming rhythmically underneath the table. It causes a slight tremor, and she knows he’s noticed. Perverting the course of justice, she is thinking. Right now, right this second, she is committing another crime.