Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

Cathy sighs, a long exhale that doesn’t seem to end. ‘Fine,’ she says.

‘Fine?’

‘I’ll sort the debit card,’ Cathy says quietly, her face still turned to the side. ‘You do the car.’

To Frannie, Joe says, ‘You come up with a version of events for last night that we’ll all stick to, in case we’re questioned.’

Frannie nods. ‘Okay,’ she says in a small voice, the same voice she used when she found out she was pregnant, the same voice she used when she left veterinary school and decided she would just man the reception instead. Scared, but pretending not to be. ‘Okay.’

15.

Cathy

Cathy is standing by the hire car. The sun is slowly cooking her skin. A relentless, dry, deep heat, like an oven door is open somewhere in the universe. Her heart is straining to pump because of the pressure in her chest. She wants to release it, to shout from a cliff-face, to grab a stranger’s lapels and tell them: We are killers! Cathy often fantasizes about saying exactly how she feels sometimes – that she’s pissed off with an owner who let their dog get ravaged by fleas, or that she feels so lonely she sometimes eats dinner in front of a mirror – but this is different. This is worse.

‘It’s pretty bad,’ she says to Joe.

‘I’m going to take it back early.’

Cathy runs a hand over the dented front bumper. Frannie’s done a good clean-up job, which is surprising. Frannie is messy. The receptionist desk at work is always cluttered with her things – some of them good ideas, like the lamp they turn on if a euthanasia is taking place, so people know to be quiet. But most of it is clutter, sometimes her ASOS deliveries that she tries on in the staff room while Cathy gives her opinions.

‘Won’t that look more suspicious?’ she says to Joe. ‘It’s not due back for two days.’

‘Better than the police inspecting the car, isn’t it?’ Joe says. He shrugs, looking at Cathy.

‘They won’t look at the car,’ Cathy says, but she’s merely reassuring him. She thinks about her own behaviour at work, how she forensically goes through each possibility when an animal is sick, running down a list of less and less likely outcomes, never really intending to stop. Yes, if someone were missing, she’d check everyone’s stories, everyone’s cars, she thinks. She’d interview every pair of eyes in the vicinity. She shudders at the thought of it.

‘Here it is,’ Joe says, handing her the wallet. They’re safe out here on the winding driveway, which meets the track road where it happened. Both are lined with scrubby weeds, the road untended, unvisited, thankfully. She takes it, feeling like a thief. The leather is warm against her fingers, soft as a worn cloth. It’s a simple black wallet, holding only cards, three crude slashes on each side forming the pockets.

‘Okay,’ she says. Joe stands in front of her, his hands on his hips. The setting is too idyllic for the conversations they’re having: the sky a wide blue dome up ahead, the grass a parched yellow, pretty weeds growing by the side of the track road.