Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

She pointed toward a gigantic lagoon, around which were structures evoking the architecture of the countries that harbor the Pacific Ocean.

“—they held this contest for a musical composition honoring the spirit of Treasure Island. I called mine Swing or, actually, Swing Around the Sun, with the subtitle One Star, One Planet, One Orbit, One People. Because, you know, we really are.” Her eyes got shiny with conviction and she had to turn a nervous laugh into a cough to cover her embarrassment. “Hokey, I know, but I think it helped me with the judges. Anyway, guess what, Ray? I won, and it’s going to be performed here on Treasure Island by the Pan-Pacific Orchestra, an Asian swing band, if you can imagine. Our music, their musicians. Kind of sweet.”

“Sweet indeed.”

“Yes, except I composed the piece for the piano and I don’t know a thing about scoring it for five saxes, four trumpets, four trombones, and rhythm. So I’m asking if you would orchestrate it for me. My notes, your voicings.”

It sounded like an awful lot of work to me. This must have been more apparent in my face than I imagined, for she rushed to reassure me, “Oh, I’m not asking you to ghost it, if that’s the word. You’d get full credit for the arrangement. Like Ravel did, orchestrating Pictures at an Exhibition from Mussorgsky’s piano piece. Or Ferde Grofé for Gershwin’s Rhapsody in Blue. Eventually I’ll learn to arrange my own work, just like Gershwin did, but not in the time that’s left before the concert. And this, well, this could show a whole new side of you.”

I smiled. If I wanted to show a whole new side of me, I’d be back in New York, not working in towns like Dayton and Eureka with the Jack Donovan Orchestra.

She pressed her case. “The prize money was a hundred dollars. I could pay you fifty.”

I smiled further. Fifty dollars probably wouldn’t cover the copying bill.

The earnest enthusiasm in her face was the most pleasant sight I’d seen in ages. In a further attempt to manipulate me against my better judgment, Gail got a breeze to conspire with her by having it tousle her hair. She really was just lovely.

“Gail . . . how about I hear the piece and see what the work would entail?”

“Yes, that’s great. Absolutely. Let me see, it’s—” She looked at her watch. “Oh damn, I’m going to be late. Come on.” She tossed some coins onto the table and raced away. I followed her, since she wasn’t leaving me much of an option.