Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
I shook his hand and thanked him for his thoughtfulness and his fine work. He said he hoped we might have a beer together before I left town. I said that sounded great.
I walked past the counter and saw that Gil was explaining to the blonde his billing for the piece called Apaches of the Night. He was doing all the talking; she was doing all the paying, like myself, in cash. Apparently she hadn’t had to pay in advance. Next time I brought in an arrangement to Gilbert Rice, I’d dye my hair blond.
I suddenly stopped at the door as I remembered that the person with the arrangement called Apaches of the Night was Adeline Head.
I slyly turned and said, “Gail Prentice sends her regards, Adeline,” offering my friendliest smile. She looked up and gave a little gasp. I uttered a small gasp myself.
It would seem that Adeline Head, carillonist, composer, and runaway bride, was also the runaway waitress from the Centaur Luncheonette. She grabbed her music, pushed her way past me, and likewise became the runaway customer of RC Copying of Oakland.
Chapter 38
38
Dance of The Sugar Plum Ferry
I’m generally not in the habit of chasing after women who don’t want to be in my company. But this was thrice now she’d fled from me, and I couldn’t imagine why I would be the cause of her fear. Yet that seemed to be the emotion that had swept across her features as she’d spun away from me.
The music parts in my hand were too valuable to take on some merry chase. I slapped them down on the counter. “Will you watch these for me?” I asked Gilbert. He would have quoted me an hourly rate if I’d waited another moment.
I dashed out the door and saw Ada entering the building’s birdcage elevator. Its door closed, but luckily it descended at a leisurely pace.
I raced down the zigzagging stairs that cut through the building’s five galleried floors and was pleased that I reached the lobby well ahead of the elevator. I was somewhat less pleased to see the elevator stop on the second floor and watch Ada run to a door at the far end of that gallery. I ran back up the first flight of stairs and raced to the door through which she’d slipped, which bore the word RESTROOMS.
Beyond that was a short corridor with two doors, LADIES on the right and MEN on the left. There was no other exit. I decided I could wait here in the hall for just as long as she could wait in the bathroom.