Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

As you may also have surmised from this volume’s dedication, this book has been, like me, graced by the lovely spirit of my late daughter, Wendy, and haunted by her tragedy. She was the loveliest of God’s creatures. It is my honor and heartbreak to be her father.

I remember you every moment, Wen.

My best male friend is Rob Sisco. That doesn’t mean we go pike fishing very often. We haven’t played a round of racquetball in, oh gosh, ever. He signed on for the job in 1980 and has been there for me ever since. He is the first fellow to whom I show my work, and he has assisted and supported it just as he has my life.

Like Ray Sherwood, my father attended the Juilliard School of Music. By age nineteen, he was playing a remarkably suave lead alto sax for xylophonist Red Norvo and his Orchestra, which also featured the vocalizations of Red’s wife, Mildred Bailey. Although Ray Sherwood, Jack Donovan, and Vera Driscoll bear no resemblance whatsoever to my father, Red, or Mildred, the tales my father spun for me about touring with a big band in 1940, and his jazz recordings, which I first spun on our record player at the age of five, greatly motivated this novel. An image of him playing with the Bobby Parks Orchestra at the Hotel Syracuse in the same year in which this story is set can be seen below. That’s Lenny there, third sax from the left. A witty, spry eighty-five as of this writing, he has always known what “swing” should sound like. Every day to this day, Jazz inspires Lenny’s life. I love you, Dad, for inspiring mine.

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About the Author

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Twice a recipient of the Mystery Writers of America’s coveted Edgar Award, RUPERT HOLMES is no stranger to the worlds of mystery or music. His first novel, Where the Truth Lies, has been made into a major motion picture by director Atom Egoyan starring Kevin Bacon, Colin Firth, and Alison Lohman. For his Broadway musical The Mystery of Edwin Drood, Holmes became the first person in theatrical history to solely win Tony Awards for Best Book and Best Music and Lyrics, while Drood itself won the Tony for Best Musical. His comedy-thrillers for the stage include Broadway’s Accomplice and Solitary Confinement. His most recent work for Broadway, Say Goodnight, Gracie, earned Holmes the 2004 National Broadway Theatre Award and a Tony nomination for Best Play. He also created and wrote all four seasons of the critically acclaimed, Emmy Award–winning television series Remember WENN, set in 1940. Swing’s musical milieu is a reflection of another part of Holmes’s career: He received a Drama Desk Award for Best Orchestration and arranged and conducted Barbra Streisand’s classic album Lazy Afternoon. The Los Angeles Times has called Rupert Holmes “an American treasure.”

Also by Rupert Holmes

Also by Rupert Holmes

Where the Truth Lies

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