Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

“Well, that’s very nice of you to say, Jack,” I replied, and followed him back into the hotel. The guests greeted him as we stepped through the lobby, and Jack gave each a cordial hello. He really was quite an affable guy.

As he stopped to sign an autograph, he confided to me sotto voce, “I’m not just the band’s leader, Ray, I’m its manager. It behooves me to keep my star happy until such time as I can replace her with someone as good, or better.” It was a strange way to talk about one’s wife. “And should that day ever come,” he added, opening the door to the ballroom for me and laughing lightly as he no doubt pictured such a day, “I’ll just have to have Vera slaughtered, don’t you think?”

Chapter 4

4

The Ballroom

As far as the Claremont’s patrons were concerned, the evening closed out pleasantly, even without Vera’s presence. By the last chord of our signature theme, “A Temptress in Taupe,” I had already disassembled my clarinet, and as I took apart my tenor sax, Jack stepped down from the bandstand to sign dinner menus and shake hands with the last of the dancers. Frankie Pompano asked if he could buy me a drink, but I had in my head the pleasant image of me in a Claremont bed between Claremont linens, with two fingers of rye in a water tumbler at my side, reading a medley of psalms from a Gideon Bible. I nonchalantly told Frankie (concealing as best I could some small amount of masculine pride) that I was meeting a young woman for breakfast the next morning and that I thought I’d call it a night.

I saw Larry Vance, trumpet, third chair, being handed his suitcase by Tommy Trego. When Larry wasn’t touring, he made his home in East Oakland. He’d been counting the days until he could sleep in his own bed for two whole weeks. If you’d ever seen Larry, you’d know that his wife would start counting the days once he’d arrived.

Over the years, I’d learned that I could always rely on Larry to be there whenever he needed me. I asked him if I could borrow his car the next morning. I told him I could take a cab to his house around nine and that the loan of the car could square us for the hundred and six dollars he’d owed me for the last three years. The generosity of my offer was counterpointed by the certainty that I was never going to see that money anyway.

Larry said he wished he could help but had just that moment remembered he didn’t really want to.