Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

“Well, hello, Ray,” she said in a low voice. “What the heck are you doing here?”

A second woman stepped around the other side of the car to face me. Her face glowed red in the taillights.

“I sent for him, Gail.” She gave me a handsome smile. “Thanks so much for coming, Ray.”

Looking completely comfortable with the current situation, and with her striking looks, and with the small black pistol in her hand, was Vera Driscoll.

Chapter 50

50

At The End of The Island

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I was dazed and dumbfounded. And wrong.

As she came forward to join Gail, I saw it wasn’t Vera at all, although it might have been her sister, and if Jack Donovan were offered a trade, I don’t know that he would have refused.

It was the late Martha Prentice.

Death had simply done wonders for her appearance. Her hair had been dyed a lustrous blond and was in a pompadour, the sides brushed back into a chignon; her makeup was expertly applied, her lips boldly emblazoned in a pout of Parisian scarlet. She wore a wool coachman’s coat with pointed velveteen lapels.

I had a dim notion of why she looked so much like Vera, but at the moment it was far down on the list of things I needed to know.

“Hello, Martha,” I said. “Who’s that dead person in the Oakland morgue with your teeth?”

“Sorry to bring you out on such a foggy night,” she said, ignoring my question. Her eyes flitted up to the sky. “It’s supposed to lift pretty soon.”

“Let him go,” implored Gail.

“Not yet. Soon.” She turned back to me. “Now I have a few questions for you, Ray, and I want you to know I’m pretty good at determining when someone’s lying, just the way people in your business can tell when someone is playing out of tune. Just be aware that if you lie to me, it will work against Gail’s best interests.”

“Can’t he just leave?” Gail asked. Martha answered by not replying.

In terms of appraising Gail’s collusion in whatever unpleasant thing was unfolding here (and I think it was safe to say that nothing really swell was happening), I took it as a bad sign that Gail herself was not flabbergasted that her mother had been resurrected—and with such gorgeous nails at that.

No matter. I’d try to get her out of this mess whether she wanted out or not.

Martha asked me, “Did you arrive alone?”

“Yes. Like Gail told me to in her phone message.” I looked over at Gail. “Except I don’t think the message at my hotel really was from you, was it, Gail?” I turned back to Martha. “I doubt she would have said she burned her music pages. She would have called it her score.”