Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

“Of course we can do without him, Jack, he’s probably our worst player.” I added with concern, “But maybe this is not the time or place to deal with it.”

Jack smiled blandly. “Poor Ray, always so concerned for me. You misunderstand. Dave wants to visit his ailing father in San Diego this weekend. It’s Dave’s last chance before we head to Seattle. He’d miss Friday and Saturday. Do I need to hire a sub?”

I told Jack that in our book, the baritone sax and the fourth trombone were the most expendable. I asked if there would be any critics reviewing us. Jack said that both the Tribune and the Chronicle were saving their serious ink for the bands at Sweet’s Ballroom and, of course, the major venues in San Francisco. I told Jack to save himself the money, that I’d cover on the tenor any solo lines Dave played. I’d written very few for him.

“Thanks,” he said, relieved. “It’s getting so expensive to tour. Every nickel and dime makes a difference. An orchestra used to be three trumpets, one trombone, four reeds, and rhythm.”

“Don’t forget the xylophone,” I said.

“Ah yes, can’t do without a xylophone, can we?” He looked around the room. “Your young lady from the other night, I haven’t seen her again, have I?”

I explained that she’d been busy rehearsing as an accompanist at a Berkeley recital.

Jack looked concerned. “Oh, she’s a musician herself, is she?” He turned to summon a waiter.

“Yes, an excellent classical pianist as well as a composer.” Something about Jack’s comments regarding “nickels and dimes” was troubling me, but I had no idea why.

“Gail’s quite a performer.”

“A performer. Ah. Well. Best of luck to you,” he said, turning away from the sight of Dave stroking his hand along the nape of Vera’s neck. “Best of luck to you indeed.”

Chapter 36

36

Trio Non con Brio

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The café was much busier at lunch than when I’d breakfasted there. After moping and mooning about the Claremont grounds for the last few days (the liveliest alternative being canasta in the Bamboo Room with Jack and some of the hotel guests), I found it pleasant to be part of a keyed-up crowd. The Café Lafayette was a bit pricey for the family set, and the chatter around us was smart and merry.

I’d arranged to meet Nancy fifteen minutes before Gail arrived, giving me more than enough time to tell Nancy about my Swing commission and the female student who’d employed me.

Nancy punctuated my account with the occasional judicious “of course” and “certainly” and “naturally” and wore a serious expression on her face with a certain set to the corner of her mouth that let me know she was trying not to smile at my earnest explanation.