Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
The bedroom’s occupants must have thought the radio was drowning them out, but it wasn’t. Russ and Martha were going to town on a buckboard. It sounded like Russ was enjoying himself, but Martha Prentice was either able to keep her voice down or simply along for the ride. I suddenly realized that I’d been in Russ’s position, literally, some twenty-plus years ago, and that notion made me more than a little squeamish. I looked back toward the doorway where Gail was standing and felt embarrassed, for myself and for her. We returned to her bedroom, where we were expected to conduct ourselves with decency, and studiously reviewed our work.
Chapter 33
33
The Copyist
The next morning, I found Jack Donovan sunning himself on the Claremont’s patio and asked him if he knew where one went in Oakland to get fast, reliable music copying done for a reasonable price.
“Well, this isn’t New York or Los Angeles, is it?” he replied. “There used to be a decent service in Oakland that I used when I was broadcasting from the St. Francis, before you joined us. RC Copying, I think they were called.” The name rang a bell; an old chart we had of “Shanghai Lil” bore the company’s monogram.
I’d taken a combination of the last trolley and a late local bus back to the Claremont the night before. Gail had still been proofing my arrangement when I’d left. She must have risen with the dawn, because the score was waiting for me at the front desk at eleven, along with a note saying she had rehearsals for a big student recital she’d been neglecting and would call me tomorrow or Wednesday. The thought of not seeing her for that long, when I was only going to be in town another week, was oppressive. But I had my responsibilities to the score to attend to.
RC Copying was run by a man named Gilbert Rice. I’d later learn that his company had originally been called Rice Copying and that all the music that came out of his office bore the emblem RC. People had started calling the company RC Copying, so Gilbert had eventually given up and put that on his letterhead as well.
RC’s office was located near the wharves, at Alice and Fourth, wedged in between Oakland’s working harbor and its Chinatown, in a drab building where every other door boasted the name of a shipping firm.
A bell attached to the door gave a small ring as I entered.