Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

The bedroom’s occupants must have thought the radio was drowning them out, but it wasn’t. Russ and Martha were going to town on a buckboard. It sounded like Russ was enjoying himself, but Martha Prentice was either able to keep her voice down or simply along for the ride. I suddenly realized that I’d been in Russ’s position, literally, some twenty-plus years ago, and that notion made me more than a little squeamish. I looked back toward the doorway where Gail was standing and felt embarrassed, for myself and for her. We returned to her bedroom, where we were expected to conduct ourselves with decency, and studiously reviewed our work.

Chapter 33

33

The Copyist

The next morning, I found Jack Donovan sunning himself on the Claremont’s patio and asked him if he knew where one went in Oakland to get fast, reliable music copying done for a reasonable price.

“Well, this isn’t New York or Los Angeles, is it?” he replied. “There used to be a decent service in Oakland that I used when I was broadcasting from the St. Francis, before you joined us. RC Copying, I think they were called.” The name rang a bell; an old chart we had of “Shanghai Lil” bore the company’s monogram.

I’d taken a combination of the last trolley and a late local bus back to the Claremont the night before. Gail had still been proofing my arrangement when I’d left. She must have risen with the dawn, because the score was waiting for me at the front desk at eleven, along with a note saying she had rehearsals for a big student recital she’d been neglecting and would call me tomorrow or Wednesday. The thought of not seeing her for that long, when I was only going to be in town another week, was oppressive. But I had my responsibilities to the score to attend to.

RC Copying was run by a man named Gilbert Rice. I’d later learn that his company had originally been called Rice Copying and that all the music that came out of his office bore the emblem RC. People had started calling the company RC Copying, so Gilbert had eventually given up and put that on his letterhead as well.

RC’s office was located near the wharves, at Alice and Fourth, wedged in between Oakland’s working harbor and its Chinatown, in a drab building where every other door boasted the name of a shipping firm.

A bell attached to the door gave a small ring as I entered.