Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

“What does that mean?” asked Culpepper.

“I only meant that it must have felt like three minutes,” I lied and tried to change the subject. “But listen, Lieutenant, I do think it’s pretty likely it was suicide, not an accident.”

He looked at me with interest but said nothing, waiting patiently. As a professional, he knew that silence can be a very effective interrogating tool.

Unfortunately, as an arranger, I view silence as an eight-bar rest that must be filled at any cost. I added, “She had seemed pretty agitated, to the point of desperation, when she talked to me. That would have been less than half an hour ago.”

Culpepper emitted a profound sigh and looked at me as if I were the ghost of an old friend whose ashes he was about to toss into the ocean. He said sympathetically, “Gosh, I bet you’re already wishing you hadn’t said that.”

Chapter 8

8

The Blunt Instrumentalist

The best thing I had going for me was my alibi. I’d been standing with the island’s senior police official at the very moment Marie Prasquier had departed from Treasure Island’s highest summit to keep her irreversible appointment with death. Of everyone on the planet, surely I, Gail, and the fellow named Russ (about whose relationship with Gail I was still ignorant) were the three people most likely to be excluded from the suspicions of Lieutenant Robert Culpepper.

He took my arm more firmly now and started to walk me away from the area. I looked back and saw Gail moving, as instructed, toward the Enchanted Garden.

“Gail!” I called out.

The noise of the departing parade of material witnesses made it hard to hear what she shouted back to me; I heard something about “another carillon concert at three, today” at “the tower” something, before her voice got lost in a muddle of sound.

Culpepper said, “Come on, my friend.”

It was nice to have a friend.

“Meet me tonight at the Claremont!” I shouted to Gail, but she shrugged and indicated she couldn’t hear me. A police officer instructed her to move along, and she turned away.

“I said, come on now, pal,” urged Culpepper. I was clearly growing dearer to him every moment.

The offices of the Treasure Island division of the Oakland Police were located on the second floor of the Administration Building, which, unlike the rest of the island’s architecture, was a substantial and sensible half-circle structure that would have earned a doublechinned nod of approval from a banker.