Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

It was nearly ten and the public was beginning to enter the Exposition in serious numbers. Gail moved so fast that I barely had time to take in what I was seeing as she hustled me into a side entrance of the Foods and Beverage Pavilion, past a mechanical Mr. Peanut, a map of the Del Monte empire, the Italian Swiss Colony wine garden, where a sign proclaimed that its “special sherry hour” ran from one to six, a Heinz 57 display of Kitchens from Many Nations, and free samples of Junket Rennet Custard.

As we swept by the displays, she uttered the unusual sentence, “Did I mention I play the carillon in the Tower of the Sun?”

“That’s very nice.”

“You know what a carillon is?” she asked.

I said that if I recalled correctly, it was a set of cathedral bells that could be played with great difficulty by manually throttling a kind of keyboard made from large wooden pegs.

She nodded. “Yes, this one’s a beauty—forty-four bells. On loan from Grace Cathedral in San Francisco. The one I play at Berkeley only has twelve bells.”

We passed some restrooms and a first-aid station, then stepped out a doorway that verged on a stunning plaza. Fluming arches of water spanned a long reflecting pool surrounded by a thicket of blue-and-white flowers. Mirrored from one end of the pool to the other, and demanding my immediate upward attention, was a rocketing octagonal spire at least four hundred feet tall.

“Made it!” laughed Gail. “With time to spare. I’m playing Bach at ten. Hey, Russ!” She waved to a robust fellow, perhaps in his late forties, who looked like a sportsman of the Field & Stream variety. He was standing with a stockier gentleman in a royal blue suit.

“Hi there, Gail,” said the guy she’d called Russ, the far more tanned and casual of the two men. His features resembled a relief map of a rock quarry and his ready smile caused long furrows to be formed alongside his eyes and the corners of his mouth. “Do you know my friend here? Bob Culpepper. Bob’s in charge of all police assigned to Treasure Island, so if you want to be impressed, go right ahead.”

The man in the royal blue suit shook Gail’s hand. “Russ tells me you’re the cause of these bells I thought I’d been hearing in my head all summer.”

Culpepper and Russ now turned to look at me with curiosity.

Gail began an introduction. “Russ, this is—”

There was a tremendous noise, as if an immense sledgehammer had been brought down upon a huge and succulent Hubbard squash.

Culpepper turned first and saw what the invisible sledgehammer had wrought.