Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

Martha Prentice had just given me my second slash.

Russ got back into his car and Martha gave me a last, pointed look that pricked at me like a vaccination. “I’ll be seeing you, Mr. Sherwood,” she said.

As we pulled out of the driveway, her stare pulled at me as if it were drawing blood.

Chapter 26

26

Railroad Crossing

My appearance caused some minor comment on the bandstand that night. Jack did not have me sing “Beef Lo Mein” or “Too Bad for You.” Frankie Pompano could see the makeup I was wearing from where he was sitting and asked if I wanted to go out with him tomorrow for a henna. Vera stated for the benefit of the trombone section that she’d known I had a swelled head for years.

I didn’t know what the hell to do about Martha Prentice’s admonition. Gail and I had agreed to begin work the next day at eleven, at her mother’s home. How was I supposed to cancel it, and what reason would I give?

On my breaks, I tried calling Gail at the Berkeley Club from the coin telephones near the men’s lounge, but the first time she was out and the second time the club’s switchboard was closed for the night. I realized I’d just have to try her in the morning. I requested a wake-up call from the Claremont operator for nine.

The next morning my phone rang at the appointed hour. The soreness from my fistfight came on slowly, like music from a radio as the tubes warm up.

“Hello,” I uttered with some effort.

“Good morning, Mr. Sherwood, this is your nine A.M. wake-up call.”

“Thank you, Operator,” I grunted.

“Rise and shine,” she advised.

“Yes, thanks.”

“Up and at ’em, sweetie,” she further counseled. “Don’t want to keep the world waiting. Big day, lots to do.”

“Operator?”

“And just between you and me, that girl you’re meeting? I think she likes you.”

I was awake now. “Gail.”

“Morning, Ray. See, I’ve been here in the lobby since 8:30 but they wouldn’t ring your room for me because you had a wake-up call for nine. So at 8:59, I told them to let me be your wake-up call. I thought maybe we could go out for breakfast before we get cooped up for the day. Oh, you’re not in bed with some shameless hussy, are you?”

“No, but listen, I haven’t shaved—”

“Gee, okay, then you better get yourself in gear. Oh, and Ray? Dress your sharpest, ’cause several lounge lizards down here have already mistaken me for a woman named ‘Hey Good-looking.’ ”