Chapters (60)
- Cover
- Dedication
- April 2018
- 1
- 2
- 3
- July 2018
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- December 2018
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- March 2019
- 27
- 28
- 29
- 30
- May 2019
- 31
- 32
- April 2020
- 33
- 34
- December 2020
- 35
- Does ‘The End’ ever leave you wanting more?
- Nico and Fern
- Isabel, the Marquesa de Aytona
- Aiden and Joss
- Taylor and Kellie
- Ceana
- Pierce
- Dee-Dee and Odile
- Patricia
- Bastien
- Margot
- Hannah and Owen
- Acknowledgments
- More from Lucy Coleman
- About the Author
- About Boldwood Books
Dad was someone who grabbed every opportunity and was determined to live his dream. Was he a little self-centred? Well, yes, I suppose he was, because as soon as he was away, it was as if we didn’t really exist for him. But on his return, Dad would thrill us with stories that captured our imaginations and fired our enthusiasm.
Dad was lauded as one of the top wildlife photographers of his generation, and he lived for the thrill of capturing that perfect shot. With a long list of magazine articles and natural history programmes to his credit, he was always in demand. The fact that he died while doing something he loved seemed fitting in a tragic sort of way.
I remember the day of the fateful call and the phone falling from Mum’s ear as she struggled to take in the devastating news. Dad had a massive heart attack while filming on location in Tarangire National Park, in Tanzania. If only it had happened in the UK, maybe we could have…
‘You haven’t heard a word I’ve been saying, have you, Lexie?’
Shellie appears in front of me, proffering a mug of steaming coffee and one of her delicious, homemade chocolate and beetroot brownies.
‘Sorry. My head is all over the place right now. So many last-minute things to do before I fly out tomorrow.’
She eases herself up onto the stool alongside me, frowning.
‘No regrets? I mean, you’re always heading off somewhere or other, but this is the longest stint in one go. I know there’s a lot at stake for you personally on this one.’
I burst out laughing. ‘A lot? You could say that. I’m sinking every penny I’ve saved into this, and it’s my one-time shot.’
Absent-mindedly, she scoops the long blonde hair back from her face, yanking a scrunchy from around her wrist to pull it into a ponytail. I’ve always envied her hair, another gift bestowed by Mum, and my short, feathery look is about all I can do to tame my wavy mane. Taking after Dad doesn’t come without its drawbacks.
‘You aren’t regretting this project?’
I shake my head. ‘No. I don’t want to be just a TV presenter any more.’
She smiles. ‘Your chance, at last, to be a producer, too. You just like being in charge.’
The smile becomes more of a smirk – she knows me so well and yet her comment puts me on the defensive.
‘Well, you know that I love gardening programmes. You can blame that on Grandma. All the time I spent with her in the garden as a child. And teaming up with cameraman Elliot Nielson is a dream come true. Elliot has great connections and has filmed at Versailles before. Fingers crossed, between us we can do the business.’