Chapters (107)
- Cover
- Dedication
- Foreword
- Introduction
- POEMS
- Shaukat ke Naam
- To Shaukat*
- Pashemani
- Regret
- Sarojini Naidu
- Sarojini Naidu
- Behroopni
- She of the Many Faces
- Andeshe
- Anxious Thoughts
- Aurat
- Woman
- Bewa ki Khudkushi
- A Widow’s Suicide
- Doshiza Malan
- The Virginal Flower Girl
- Ek Dua
- A Prayer
- Ek Bosa
- A Kiss
- Ek Lamha!
- A Moment!
- Ehtiyat
- Caution
- Naya Husn
- New Beauty
- Nazrana
- Tribute
- Pyar ka Jashn
- A Celebration of Love
- Tasawur
- Imagination
- Tum
- You
- Ajnabi
- Stranger
- Pehla Salaam
- The First Greeting
- Aaina
- Mirror
- Akhfa-i Muhabbat
- Concealing Love
- Roosi Aurat ka Naara
- The Call of the Russian Woman
- Hausla
- Courage
- Garbhwati
- The Pregnant Woman
- Peetal ke Kangan
- Brass Bangles
- FILM LYRICS
- Waqt Ne Kiya Kya Haseen Sitam*
- What a Beautiful Cruelty Time Has Inflicted
- Zara Sii Aahat Hotii Hai*
- At the Faintest Footfall . . .
- Yeh Nayan Darey Darey*
- These Fear-filled Eyes
- Merey Chanda, Mere Nanhe*
- My Darling, My Little One
- Kuchh Dil Ne Kaha*
- The Heart Says Something
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar*
- Quieten, Quieten, O Restless Heart
- Abhi Kya Sunogey Suna To Hasogey*
- What Will You Hear Now, You Will Laugh If You Do
- Maa Hai Mohabbat ka Naam*
- A Mother Is a Name for Love
- Aaj Socha To Aansu Bhar Aaye*
- Tears Well Up When I Think of It
- Betaab Dil Ki Tamanna Yehi Hai*
- The Sole Desire of My Restless Heart
- Hai Tere Saath Meri Wafa*
- My Fidelity Will Stay with You
- Har Taraf Ab Yahii Afsaney Hain*
- All Around Me I Hear It Said
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai*
- How Does One Explain . . .
- Jhuki Jhuki Si Nazar . . .*
- This Lowered Gaze
- Tum Itna Jo Muskura Rahey Ho . . .*
- You Are Smiling So Much
- Afterword
- Footnotes
- To Shaukat
- The Virginal Flower Girl
- Waqt Ne Kiya Kya Haseen Sitam
- Zara Sii Aahat Hotii Hai
- Yeh Nayan Darey Darey
- Merey Chanda, Mere Nanhe
- Kuchh Dil Ne Kaha
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar
- Abhi Kya Sunogey Suna To Hasogey
- Maa Hai Mohabbat ka Naam
- Aaj Socha To Aansu Bhar Aaye
- Betaab Dil Ki Tamanna Yehi Hai
- Hai Tere Saath Meri Wafa
- Har Taraf Ab Yahii Afsaney Hain
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai
- Jhuki Jhuki Si Nazar . . .
- Tum Itna Jo Muskura Rahey Ho . . .
- Select Bibliography
- THE BEGINNING
Kaifi’s relationship with his children was that of a friend. If ever the children did something wrong, he did not tell them off, but gave his opinion on the matter. Moreover, he loved them beyond measure. Shabana was little, and we were not well off. Mangoes were expensive and were rarely seen at home. One day, Shabana brought two dozen mangoes from her friend Parna’s house and told me very happily, ‘Mummy, some mangoes came to Parna’s house from her village, and her mummy gave me so many.’ Shabana loves mangoes. Her words pierced Kaifi’s heart, but he remained silent.
After his illness, when the idea of living in his village came to him, all he had left was five bighas of land. After his father and mother left for Pakistan, people from the village had occupied his father’s house and land. He was putting up at some relative’s. The first thing he did was to hire a truck and go to Malihabad, from where he returned with 300 mango saplings. He planted a mango orchard, and kept a servant, and after five years when they bore fruit, the first thing he did was to bring several hundred mangoes to Bombay for Shabana. That mango orchard is still there, and it’s a foregone conclusion that mangoes from there will arrive for Shabana. And this year too, Kaifi’s servant brought mangoes for Shabana, but this time Kaifi was not there to witness his daughter’s happiness.
At times the words Kaifi uttered could only have come from a sage. For Mijwan’s welfare and progress, Kaifi created a welfare society. Its office operated on his land, and he had ceiling fans installed in every room. One night, someone stole all four fans. There was pandemonium in the village, but Kaifi remained silent.
Shabana asked him, ‘Aren’t you frustrated by what has happened?’
He turned to Shabana and said, ‘Bete, when you are working for change, you should give some leeway to your hope, in the recognition that perhaps this change will not happen in your lifetime, but even so you must carry on with your work.’
Shabana turned to me and said, ‘Mummy, hearing Abba, I felt that this is not Abba, but some sage speaking.’
After his son Baba became a cameraman and his first interview was published in a newspaper, Kaifi cut it out, had it framed and hung it on the wall facing his desk. Father and son would sit silently together for hours, but there was exceptional communication between them. Today, Baba says, ‘If I can live my life following the path shown to us by Abba, only then will I be able to do justice to his memory.’