Chapters (107)
- Cover
- Dedication
- Foreword
- Introduction
- POEMS
- Shaukat ke Naam
- To Shaukat*
- Pashemani
- Regret
- Sarojini Naidu
- Sarojini Naidu
- Behroopni
- She of the Many Faces
- Andeshe
- Anxious Thoughts
- Aurat
- Woman
- Bewa ki Khudkushi
- A Widow’s Suicide
- Doshiza Malan
- The Virginal Flower Girl
- Ek Dua
- A Prayer
- Ek Bosa
- A Kiss
- Ek Lamha!
- A Moment!
- Ehtiyat
- Caution
- Naya Husn
- New Beauty
- Nazrana
- Tribute
- Pyar ka Jashn
- A Celebration of Love
- Tasawur
- Imagination
- Tum
- You
- Ajnabi
- Stranger
- Pehla Salaam
- The First Greeting
- Aaina
- Mirror
- Akhfa-i Muhabbat
- Concealing Love
- Roosi Aurat ka Naara
- The Call of the Russian Woman
- Hausla
- Courage
- Garbhwati
- The Pregnant Woman
- Peetal ke Kangan
- Brass Bangles
- FILM LYRICS
- Waqt Ne Kiya Kya Haseen Sitam*
- What a Beautiful Cruelty Time Has Inflicted
- Zara Sii Aahat Hotii Hai*
- At the Faintest Footfall . . .
- Yeh Nayan Darey Darey*
- These Fear-filled Eyes
- Merey Chanda, Mere Nanhe*
- My Darling, My Little One
- Kuchh Dil Ne Kaha*
- The Heart Says Something
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar*
- Quieten, Quieten, O Restless Heart
- Abhi Kya Sunogey Suna To Hasogey*
- What Will You Hear Now, You Will Laugh If You Do
- Maa Hai Mohabbat ka Naam*
- A Mother Is a Name for Love
- Aaj Socha To Aansu Bhar Aaye*
- Tears Well Up When I Think of It
- Betaab Dil Ki Tamanna Yehi Hai*
- The Sole Desire of My Restless Heart
- Hai Tere Saath Meri Wafa*
- My Fidelity Will Stay with You
- Har Taraf Ab Yahii Afsaney Hain*
- All Around Me I Hear It Said
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai*
- How Does One Explain . . .
- Jhuki Jhuki Si Nazar . . .*
- This Lowered Gaze
- Tum Itna Jo Muskura Rahey Ho . . .*
- You Are Smiling So Much
- Afterword
- Footnotes
- To Shaukat
- The Virginal Flower Girl
- Waqt Ne Kiya Kya Haseen Sitam
- Zara Sii Aahat Hotii Hai
- Yeh Nayan Darey Darey
- Merey Chanda, Mere Nanhe
- Kuchh Dil Ne Kaha
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar
- Abhi Kya Sunogey Suna To Hasogey
- Maa Hai Mohabbat ka Naam
- Aaj Socha To Aansu Bhar Aaye
- Betaab Dil Ki Tamanna Yehi Hai
- Hai Tere Saath Meri Wafa
- Har Taraf Ab Yahii Afsaney Hain
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai
- Jhuki Jhuki Si Nazar . . .
- Tum Itna Jo Muskura Rahey Ho . . .
- Select Bibliography
- THE BEGINNING
Phulpur has a railway station, which at the time was operating on a narrow-gauge railway line with services running between Meerut to Shahganj. Poor farmers travelled to and from Banaras and Azamgarh on that line—the fare was cheap. Phulpur station had been named Khorasan Road station, after some foreigner. One day, the government issued orders for the station to be pulled down, because according to them there was no need for a railway station in Phulpur. Consequently, work began on ripping out the tracks. The poor of the area came to Kaifi with a plea that the station should not be demolished because that would cause them a lot of hardship. Kaifi became anxious, he could not think straight, but arrived directly at the station, and had his wheelchair placed in the middle of the tracks. The stationmaster, worried now, halted work. The young men who were demonstrating against the demolition were being thrashed rather brutally by the police. Among them was Hari Mandir Pandey, a comrade from Kaifi’s communist party. This brutality came to an end upon Kaifi’s arrival.
Immediately, Kaifi left for Delhi and met Jaffer Sharief who was Minister for Railways at the time. Kaifi said to him, ‘Your police have beaten up people from my village so heartlessly that their bodies are drenched in blood. I have brought one of their shirts, I can show it to you if you wish.’
Jaffer Sharief Saheb looked worried and said, ‘No, let it be. I’ll just give an order that the railway tracks of your village should not be dismantled.’ Consequently, taking the order with him, Kaifi returned to the village.
The narrow-gauge line was reinstated, but Kaifi did not remain silent. He demanded a broad-gauge line. By now, a new minister, Ram Vilas Paswan, had taken over. He decided that the narrow-gauge should be converted to a broad-gauge line. As a result, Kaifi and I were invited for the inauguration of the broad-gauge line by Mulayam Singh Yadav. Nevertheless, for Kaifi, this was not enough, because the train did not stop at Phulpur. And, by now, Nitish Kumar had become Minister for Railways. Kaifi made an application to him that trains passing through Phulpur must stop there. Consequently, a superfast train, called Godaan Express—a direct train from Azamgarh to Bombay—stops at Phulpur for three minutes. It operates twice a week—on Sundays and Wednesdays. The villagers have a facility they could not have conceived of in their wildest imagination.