Chapters (107)
- Cover
- Dedication
- Foreword
- Introduction
- POEMS
- Shaukat ke Naam
- To Shaukat*
- Pashemani
- Regret
- Sarojini Naidu
- Sarojini Naidu
- Behroopni
- She of the Many Faces
- Andeshe
- Anxious Thoughts
- Aurat
- Woman
- Bewa ki Khudkushi
- A Widow’s Suicide
- Doshiza Malan
- The Virginal Flower Girl
- Ek Dua
- A Prayer
- Ek Bosa
- A Kiss
- Ek Lamha!
- A Moment!
- Ehtiyat
- Caution
- Naya Husn
- New Beauty
- Nazrana
- Tribute
- Pyar ka Jashn
- A Celebration of Love
- Tasawur
- Imagination
- Tum
- You
- Ajnabi
- Stranger
- Pehla Salaam
- The First Greeting
- Aaina
- Mirror
- Akhfa-i Muhabbat
- Concealing Love
- Roosi Aurat ka Naara
- The Call of the Russian Woman
- Hausla
- Courage
- Garbhwati
- The Pregnant Woman
- Peetal ke Kangan
- Brass Bangles
- FILM LYRICS
- Waqt Ne Kiya Kya Haseen Sitam*
- What a Beautiful Cruelty Time Has Inflicted
- Zara Sii Aahat Hotii Hai*
- At the Faintest Footfall . . .
- Yeh Nayan Darey Darey*
- These Fear-filled Eyes
- Merey Chanda, Mere Nanhe*
- My Darling, My Little One
- Kuchh Dil Ne Kaha*
- The Heart Says Something
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar*
- Quieten, Quieten, O Restless Heart
- Abhi Kya Sunogey Suna To Hasogey*
- What Will You Hear Now, You Will Laugh If You Do
- Maa Hai Mohabbat ka Naam*
- A Mother Is a Name for Love
- Aaj Socha To Aansu Bhar Aaye*
- Tears Well Up When I Think of It
- Betaab Dil Ki Tamanna Yehi Hai*
- The Sole Desire of My Restless Heart
- Hai Tere Saath Meri Wafa*
- My Fidelity Will Stay with You
- Har Taraf Ab Yahii Afsaney Hain*
- All Around Me I Hear It Said
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai*
- How Does One Explain . . .
- Jhuki Jhuki Si Nazar . . .*
- This Lowered Gaze
- Tum Itna Jo Muskura Rahey Ho . . .*
- You Are Smiling So Much
- Afterword
- Footnotes
- To Shaukat
- The Virginal Flower Girl
- Waqt Ne Kiya Kya Haseen Sitam
- Zara Sii Aahat Hotii Hai
- Yeh Nayan Darey Darey
- Merey Chanda, Mere Nanhe
- Kuchh Dil Ne Kaha
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar
- Abhi Kya Sunogey Suna To Hasogey
- Maa Hai Mohabbat ka Naam
- Aaj Socha To Aansu Bhar Aaye
- Betaab Dil Ki Tamanna Yehi Hai
- Hai Tere Saath Meri Wafa
- Har Taraf Ab Yahii Afsaney Hain
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai
- Jhuki Jhuki Si Nazar . . .
- Tum Itna Jo Muskura Rahey Ho . . .
- Select Bibliography
- THE BEGINNING
Abba, who had left Mijwan in his teens, returned briefly to it when he married Mummy and had his first child Khayyam (a son who died at the age of one). Soon after Partition, his family migrated to Pakistan one by one and he felt his roots in Mijwan had been severed forever. However, in 1973, upon partially recovering from his brain haemorrhage, his left side still severely damaged, he started chanting the name ‘Mijwan’ with such persistence that my mother was forced to take him there. It turned out to be an amazing trip for him. He realized that Mijwan was and would always remain the place where he belonged. The house he was born in was occupied by various distant cousins and it would have been unfair to throw them out (the communist theory of the tiller owning the land). Kaifi wrote in anguish.
Woh mera gaon hai
Woh mere gaon ke chulhe
Ke jin mein sholay to sholay
Dhuan nahin milta
Today, Mijwan is a model village, but it has been a long and arduous journey filled with obstacles that he had to face from vested interests. It fills me with immense pride that once he committed himself to something he never wavered no matter what adversity came his way. I have grown up believing that merely good intentions are not enough, you have to translate them into action.
I once asked him, ‘Abba, don’t you get frustrated when change doesn’t happen at the pace you want it to?’
He answered with equanimity, ‘Bete, when you are working for change, you should build into that expectation the possibility that the change might not happen in your lifetime. But you must have the conviction that if you carry on working with dedication, the change is bound to occur, even if it does so after you are gone.’
His prophetic words have become my mantra in the work that I do with the weak and the dispossessed.
Postscript: 10 June 2002
I look out of the window from Abba’s room. The sky is blue, the grass green, flowers in bloom. I turn back to look inside the room. Books lined neatly on the shelves, his spectacles, writing pad, Mont Blanc lie in wait for pen to be put to paper and new verse to flow . . . everything is the way it was . . . but Abba is not there . . .
Anees Jung, in a letter of condolence to me, writes, ‘I know what the loss of a parent means, Shabana. I also know one never loses a parent. In a strange mystical way they become closer in death, for their spirit, no longer trapped in a frail frame, becomes all pervasive and surrounds us like the air we breathe.’
Comforting words no doubt but all I feel is insurmountable grief.