Chapters (80)
- Cover
- Dedication
- AFTER LONG SILENCE
- PYRACANTHA AND PLUM
- FLOWERING VETCH
- THEOLOGY
- HOPE: AN ASSAY
- TO JUDGMENT: AN ASSAY
- THOSE WHO CANNOT ACT
- SHEEP’S CHEESE
- BENEATH THE SNOW, THE BADGER’S STEADY BREATHING
- SKY: AN ASSAY
- POCKET OF FOG
- ARTICULATION: AN ASSAY
- TRANSLUCENCE: AN ASSAY
- WHAT IS USUAL IS NOT WHAT IS ALWAYS
- THE MOUNTAIN
- TEARS: AN ASSAY
- POE: AN ASSAY
- THE REFUSAL
- DOG AND BEAR
- DOWNED BRANCH
- VILNIUS
- “OF”: AN ASSAY
- “TO”: AN ASSAY
- “AND”: AN ASSAY
- STUDY OF MELON & INSECT
- A MAN WALKS THROUGH HIS LIFE
- A DAY COMES
- THE DOUBLE
- NOT ONLY PARALLEL LINES EXTEND TO THE INFINITE
- I IMAGINE MYSELF IN TIME
- THE MEETING
- WANTING MORE AND MORE TO LIVE UNOBSERVED, UNOBSERVING
- THE DESTINATION
- LATE SELF-PORTRAIT BY REMBRANDT
- RYOANJI: AN ASSAY
- TO OPINION
- THE WOODPECKER KEEPS RETURNING
- “IT IS NIGHT. IT IS VERY DARK.”
- BONSAI
- THE PROMISE
- THE HEAT OF AUTUMN
- TO WAKE AT 3:00
- DOG STILL BARKING AT MIDNIGHT
- TWO WASHINGS
- TERMITES: AN ASSAY
- ENVY: AN ASSAY
- HESITATION: AN ASSAY
- ONCE: AN ASSAY
- BURLAP SACK
- THE MONK STOOD BESIDE A WHEELBARROW
- I WRITE THESE WORDS TO DELAY
- SEVENTEEN PEBBLES
- TO SPARENESS
- “AH!”: AN ASSAY
- AGAINST CERTAINTY
- JASPER, FELDSPAR, QUARTZITE
- INSTANT GLIMPSABLE ONLY FOR AN INSTANT
- ONE SAND GRAIN AMONG THE OTHERS IN WINTER WIND
- TO SPEECH
- POSSIBILITY: AN ASSAY
- BAD YEAR
- SERRANO PEPPER
- THIS MUCH IS PROMISED
- IN A ROOM WITH FIVE PEOPLE, SIX GRIEFS
- ASK MUCH, THE VOICE SUGGESTED
- TO GRAVEL: AN ASSAY
- EACH MORNING MY NEIGHBOR WALKS OUT
- BETWEEN THE MATERIAL WORLD AND THE WORLD OF FEELING
- RED SCARF
- THE BELL ZYGMUNT
- LETTER TO C.
- THE DEAD DO NOT WANT US DEAD
- IT WAS LIKE THIS: YOU WERE HAPPY
- ACKNOWLEDGMENTS
- About the Author
- BOOKS BY JANE HIRSHFIELD
- Copyright
- About the Publisher
Lemon
The grated lemon rind bitters the oil it steeps in.
A wanted flavor.
Like the moment in love when one lover knows
the other could do anything now wanted, yet does not.
Evolution & Glass
For days a fly travelled loudly
from window to window,
until at last it landed on one I could open.
It left without thanks or glancing back,
believing only—quite correctly—in its own persistence.
Tool Use in Animals
For a long time it was thought
the birds were warning: Panther! Panther!
Then someone understood. The birds were scavengers.
The cry was, “Human! Human!”
Global Warming
When his ship first came to Australia,
Cook wrote, the natives
continued fishing, without looking up.
Unable, it seems, to fear what was too large to be comprehended.
The Immortal
This seemingly indestructible head-and-claw
of a handle-less hammer:
a furious, minor god from a great epic,
whose language—camphorous, lithe—was never recorded.
Insomnia, Listening
Three times in one night
a small animal crosses the length of the ceiling.
Each time it goes all the way one way,
all the way back, without hesitation or pause.
Envy that sureness.
It is like being cut-flowers, between the field and the vase.
Why Bodhidharma Went to Motel 6
“Where is your home?” the interviewer asked him.
“Here.”
“No, no,” the interviewer said, thinking it a problem of translation,
“when you are where you actually live?”
Now it was his turn to think, Perhaps the translation?
A Class Almost Empty
How did Roget decide
that the opposite of “time” is not
“instantaneity” but “neverness”—
a concept so difficult he could
scarcely think of additional entries,
resorting instead to phrases from Latin and Greek,
too early for the possibility “Birkenau-Auschwitz.”
Sentence
The body of a starving horse cannot forget the size it was born to.
To Sneezing
Pure master of all our losses,
dissolver of self and its zeals—
we bow before you as newspaper bows to the match.
TO SPARENESS
You lean toward nonexistence,
but have not yet become it entirely.
For this reason, you can still be praised.
The tree unleafing enters your dominion.
An early snowfall shows you abide in all things.
Your two dimensions are line and inclination.
Therefore desire,
though it incinders each mote of its object, itself is spare.
The late paintings of Turner
prove your slender depths without limit.
The beauty too of shakuhachi and cello.
“Winter darkness. Rain. No crickets singing.”
—You are there, pulling hard on the rope-end.
Remembering you, I remember also compassion.
I cannot explain this.
Nor how you live in a teabowl
or in a stone that has spent a long time in a river.
Nor the way you at times can signal your own contradiction,
meaning extra, but not by much—
“Brother, can you spare a dime,” one thin man asks of another.
Any room, however cluttered, gestures toward you,
declaring:
“Here lives this, not that.”
In mathematics, the modest “<” sign gestures toward you.
Your season is surely November,