Chapters (93)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Acknowledgements
- About the Author
- Also by Charlotte Philby
- About the Publisher
Of course I know. I want to shout down the phone, Of course I fucking know.
I keep my voice as level as I can. ‘But what about the brick through my door?’
‘Issy, what about the bloody brick? You can hardly say you’re surprised. Frankly, I’m shocked it hasn’t happened before. You’re a journalist, for God’s sake – and a pretty fucking relentless one at that – of course people want to shut you up. Christ, if I was a criminal I’d want you …’
His voice is running out of patience, hissing down the line. I imagine his colleagues have finally cleared the room and he can now speak freely.
‘I mean, what the hell were you even doing in a bush on the Heath at six a.m., Issy? Seriously. Actually, please don’t answer that.’
Stop calling me Issy, I want to shout at him.
I hear him cover the mouthpiece with his hand and mutter a greeting to someone before clearing his throat and resuming his lecture, his tone altered again.
‘Sounds like you’ve had a bit of a mental weekend. Why don’t you take a couple of hours, yeah? Go home and have a rest. I’m sure the paper will survive without you for one day …’
Holding the phone away from my ear, I find myself unable to speak, not that he notices.
‘It would be good to see you soon anyway. Give me a shout if you’re—’ Before he can finish his sentence, I have ended the call and shoved my phone back in my pocket, pressing the button to stop the bus.
The warehouse stands on a secluded backstreet just off Holloway Road, a makeshift mixture of concrete and corrugated iron. Determinedly ignoring the gazes of a throng of builders nearby, I buzz the intercom and when a man’s voice answers, I reply.
‘I’m here to see Tariq.’
‘Tariq ain’t here.’
‘Tell him it’s Isobel,’ I insist. ‘Tell him it’s important.’
I look up at the camera above my head. The voice goes briefly quiet and then a moment later the door clicks open, and I take a breath as the smell of skunk hits me inside the hallway.
By the time I reach the next internal door, the final bolt is pulled open by one of Tariq’s minions. He looks me up and down with disapproval as I step into the room, and I hold his gaze before taking in the familiar scene: a makeshift bar on one side of the room, a pool table with men scattered around it casually smoking spliffs and talking in muted voices.