Chapters (93)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Acknowledgements
- About the Author
- Also by Charlotte Philby
- About the Publisher
‘Yes,’ I say, catching my breath, moving to the kitchen table and gathering the papers strewn across the surface. ‘I’m here.’
Acknowledgements
Part of this book is a substantial reworking of an idea I had a decade ago whilst part of a writers group led by the poet Martina Evans. I am indebted to Martina for her encouragement and for pointing out the disconnect between writing news, which encourages us to work within strict constraints, and writing fiction which is about tossing prescriptive methods aside. Many thanks also to Vanessa Beaumont and Kate Prentice, who were early champions of Isobel.
I’m ever amazed by the time and insights people are prepared to offer, and for that I would like to thank Jimmy L, Richard H and Simon C, for their help as well as Shaun Walker for his remarkably inexpensive translation services.
Endless thanks to my agent and personal therapist Julia Silk, to my editor Ann Bissell for always knowing what is needed – be it a new scene or a glass of champagne – and to my dream publicist Felicity Denham, who together with Ann has made the process a hell of a lot of fun.
Last but never least, to my husband, Barney, and my children, for putting up with me and being so proud. Special shout out to the not-yet-literate Jesse, to whom this book is dedicated, for his honest appraisal: ‘But if I can’t read, how do I know it’s good?’
And to my amazing mum for plugging the gaps, of which there are many, always.
About the Author
Charlotte Philby worked for the Independent for eight years as a columnist, editor and reporter, and was shortlisted for the Cudlipp Prize for her investigative journalism at the 2013 Press Awards. A former contributing editor and feature writer at Marie Claire, she has written for the New Statesman, ELLE, Telegraph, Guardian, Sunday Times and presented documentaries for BBC World Service and The One Show. Charlotte is the granddaughter of Kim Philby, Britain’s most infamous communist double-agent, the elusive ‘third man’ in the notorious Cambridge spy ring. This is her second novel.
Also by Charlotte Philby
Part of the Family
About the Publisher
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