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Chapters (93)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Chapter 84
  89. Chapter 85
  90. Acknowledgements
  91. About the Author
  92. Also by Charlotte Philby
  93. About the Publisher

‘Yes,’ I say, catching my breath, moving to the kitchen table and gathering the papers strewn across the surface. ‘I’m here.’

Acknowledgements

Part of this book is a substantial reworking of an idea I had a decade ago whilst part of a writers group led by the poet Martina Evans. I am indebted to Martina for her encouragement and for pointing out the disconnect between writing news, which encourages us to work within strict constraints, and writing fiction which is about tossing prescriptive methods aside. Many thanks also to Vanessa Beaumont and Kate Prentice, who were early champions of Isobel.

I’m ever amazed by the time and insights people are prepared to offer, and for that I would like to thank Jimmy L, Richard H and Simon C, for their help as well as Shaun Walker for his remarkably inexpensive translation services.

Endless thanks to my agent and personal therapist Julia Silk, to my editor Ann Bissell for always knowing what is needed – be it a new scene or a glass of champagne – and to my dream publicist Felicity Denham, who together with Ann has made the process a hell of a lot of fun.

Last but never least, to my husband, Barney, and my children, for putting up with me and being so proud. Special shout out to the not-yet-literate Jesse, to whom this book is dedicated, for his honest appraisal: ‘But if I can’t read, how do I know it’s good?’

And to my amazing mum for plugging the gaps, of which there are many, always.

About the Author

Charlotte Philby worked for the Independent for eight years as a columnist, editor and reporter, and was shortlisted for the Cudlipp Prize for her investigative journalism at the 2013 Press Awards. A former contributing editor and feature writer at Marie Claire, she has written for the New Statesman, ELLE, Telegraph, Guardian, Sunday Times and presented documentaries for BBC World Service and The One Show. Charlotte is the granddaughter of Kim Philby, Britain’s most infamous communist double-agent, the elusive ‘third man’ in the notorious Cambridge spy ring. This is her second novel.

Also by Charlotte Philby

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