Chapters (93)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Acknowledgements
- About the Author
- Also by Charlotte Philby
- About the Publisher
‘Have you seen Jess?’ I ask, focusing on the smudge of dye that has leaked from his newly chestnut locks into the peak of his receding hairline. Christ, if I’m still rolling around in shit-holes like this when I’m his age I only hope someone slits my throat. With that fleeting image, I remember the spate of stabbings in Somers Town I’m planning to dig into next week, focusing on the circulation of weapons across our part of the city. If I can pitch it around the ongoing tensions in Camden, I’m pretty sure I can spin a legitimate local interest angle.
‘Yeah but what’s the angle?’ I picture my news editor, Ben, pre-empting the words of the editor, tucked away in his cheap glass box at the back of the room. ‘We’re a local paper, Isobel, not the New York fucking Times.’
Hugh’s face contorts, as if he is trying to place Jess’s name – the name of the woman who has been his assistant for the past six years … Assistant Producer, actually, I can hear her voice correcting me in my head.
‘Sit down,’ he slurs. ‘Want a line?’
He returns his attention to the table, haphazardly scraping and crushing white powder with his card.
‘Have you seen her?’ I repeat and he looks up again.
‘Who?’
‘I’m all right for shit K, thanks, Hugh,’ I say, not bothering to answer, and he puckers his face into a grin, attempting a South American drawl.
‘Issy, darling, this is pure cocaine straight from the streets of Ecuador!’
Is it fuck. ‘Can I use your phone?’ I ask and he slides it across to me before returning his attention to the pile of powder.
Jess’s number goes straight to voicemail.
‘Where are you?’ I whisper into the handset before tossing the receiver back at him.
‘Go on then,’ I say, snatching the rolled £20 from his fingers, hoovering up both lines, wincing as the chemical hits the back of my throat.
Grateful for the instant burst of energy, I stand.
‘Wait, where are you going?’ I hear his voice fade into the distance as I move across the kitchen, through the doorway and towards the stairs, without looking back.
Walking out onto the street, my whole body seems to move as if by remote control. Sunglasses on, though autumn has long set in, I drift along Chalk Farm Road. Ordinarily I’d have walked through Camden Lock, past the tube station and onto the high street where my shoebox of a flat awaits me above the newsagent’s. But this morning, the coke rushing through my veins, I need a horizon – the prospect of main roads, of roaring traffic, of crackheads and knowing shopkeepers making my chest tighten.