Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Marja, a masseuse Vee has used since her last illness, came to the house and worked her magic yesterday. The gripe of the headache was driven away, and Vee slept for ten hours without the trace of a dream or the shadow of a pain. It was bliss. But today, she feels worse, and it’s partly because of the hospital, of course, its synthetic light and lack of air, all of the people she has never met touching her and calling her by her first name. But it also feels though her brain is punishing her for the respite that a long sleep brought. Maybe this is how it’s going to go: a back and forth of headache and rest from it, with the balance shifting, day by day, until there is never peace but only pain and lesser pain. Maybe it’s already happening; maybe her perception is shifting, and her head always hurts. That might explain the towering impatience she is feeling this afternoon.

‘Here you go,’ says the cab driver, ‘visiting your grandkids, are you? I’ve got a dozen of ’em. It’s all my wife ever does, go to see them. It’s a new lease of life.’

‘I’m going to work,’ Vee says, ‘and you’re making a lot of assumptions.’ She gives him the exact money.

It is all, still, such a great effort.

*

Vee takes in the silence and the space, walks down the path to the house, steps slow and quiet. Although the day isn’t warm there’s something gentle and soothing in it. Spring, perhaps.

Air and light. She hasn’t had enough of them today. Her daily walks along the river, from Battersea Park to Putney and back, have been part of her routine for years, but lately she hasn’t had the energy, or her sleep has been so bad that she hasn’t been able to face it. And morning, early, is really the only time: everyone is doing their walk or run or dog-exercising before the day begins, so there are nods of recognition but no risk of conversation. It suits her perfectly. Suited.

She rubs at the place on her arm again. Her scalp is itchy with the aftermath of sweat and scrutiny. Straightening her shoulders, she rings the doorbell. She’s exactly on time.