Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Leonie is quiet in the taxi. They are back at her flat within ten minutes; almost as soon as they arrive, Leonie goes out again, saying she’ll be back soon. It’s almost eleven – not late, not really, but it’s been a long day, and all Vee really wants to do is go to bed. But she does the washing-up and puts some things in the bin. She did the same the last time she was here. Leonie accused her of being indoctrinated by patriarchal values of what a woman’s role should be, but it’s really not that: it’s just a desire for order. She had framed it to Leonie as a characteristic of a photographer, not a woman, and Leonie bought it, though she grumbled that her cleaner sorts it all on Mondays so it was a waste of Vee’s energy.

Leonie comes back half an hour later, with a bottle of wine and a pizza on a plate from the restaurant around the corner.

‘C’mon,’ she says, ignoring the cleaned-up kitchen table, ‘let’s eat on the sofa.’ Vee hasn’t eaten pizza before. She watches as Leonie folds a triangular slice over and eats it like a sort of hot sandwich, and does the same. Her fingertips sing at the heat, but she doesn’t mind – this doesn’t seem like a knife-and-fork meal. It’s delicious, tomato and cheese and slices of something black and round that is probably olive. Dad might like it. He likes cheese on toast.

‘I was hungry,’ Vee says, ‘I didn’t realise.’

Leonie grins, and puts the plate on the floor. ‘I’ll look after you.’ She wraps her arms around Vee, who feels herself brace before she relaxes. Leonie feels it too: ‘Be cool. I’m not going to kiss you.’

‘It’s not that, it’s just . . .’ Vee doesn’t have the vocabulary to tell Leonie about the way she thinks about her, sometimes, a feeling like she used to get with Barry. Though Barry had to work a lot harder than Leonie to give her that warmth in her belly. And how strange it is, because up until that local counsellor came out recently, Essex has always appeared to be a lesbian-free zone, and she had never ever thought of herself as someone who could love a woman. Not like that.

Before she can even begin, though, Leonie says, ‘I think I might like men best. There’ve been a few. I’m wondering. Not that I’ll give up women altogether.’

Just when Vee thinks she’s getting the hang of something, it changes. ‘That’s . . .’ she begins, but the only word that comes to her tongue is ‘good’, which she knows won’t do. So she switches to a question. ‘Do you have to choose?’