Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

The air grumbles and sings under the weight of noise in it: there’s so much energy that Vee feels circled, surrounded, her steps easy. The rhythm of her pace next to Erica’s settles into a steady harmony. Vee feels her breath deepen, her spine straighten. She’s forgotten exactly how good it is to march: how important, how scary, how real. Her edges dissolve into the sound and light around her. She tastes petrol fumes, breathes in the shouted-out breaths of the women around her. ‘The women, u-ni-ted, will ne-ver be de-feat-ed.’ How long since she was in the midst of the sisterhood like this? When the chant starts again, she opens her throat and lets her voice join it.

The pain in her own head is there, all right, and it’s not nothing, but it’s as though it has moved to the other side of her skull, taken up by shouts and jeers, chants and drums, and is nothing to her anymore. Erica is next to her, silent but wide-eyed as they join the women making their way into Trafalgar Square. It’s time to yell and shout for justice and autonomy and the right to not be ogled, harassed, spoken down to, blackmailed or abused. She should be bellowing for every damn thing that should be hers by right, like the women around them. Vee reaches out an arm to touch Erica’s, smiles when the younger woman looks around and smiles back.

The police presence thickens as they approach the entrance to Trafalgar Square: horses in pairs, vans watching darkly from side streets, uniformed officers in clumps, alert, attentive groups. The world knows women can be dangerous. Vee’s smile spreads wider – her face is probably aching, but she can’t feel it, can’t feel anything. She sees how Erica glances at the police, then back to her, for reassurance. ‘We’re the ones with the power here,’ she shouts, close to Erica’s ear, ‘we don’t need what they have.’ She hopes she’s right.